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Die filmischen Körper Osteuropas und Russlands: Zwischen Schmerz und Vergnügen-

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The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure
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ISBN
9781474405140
Subject Area
Performing Arts
Publication Name
Cinematic Bodies of Eastern Europe and Russia : between Pain and Pleasure
Item Length
6.4 in
Publisher
Edinburgh Tea & Coffee Company University Press
Subject
Film / Référence, Film / Direction & Production, Film / History & Criticism
Publication Year
2016
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.8 in
Author
Matilda Mroz
Item Width
9.5 in
Item Weight
19.2 Oz
Number of Pages
272 Pages

Über dieses Produkt

Product Information

Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. It draws on the history of the region, as well as Western and Eastern scholarship on the body, and focuses on three areas: the traumatised body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.

Product Identifiers

Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
1474405142
ISBN-13
9781474405140
eBay Product ID (ePID)
221613446

Product Key Features

Author
Matilda Mroz
Publication Name
Cinematic Bodies of Eastern Europe and Russia : between Pain and Pleasure
Format
Hardcover
Language
English
Subject
Film / Référence, Film / Direction & Production, Film / History & Criticism
Publication Year
2016
Type
Textbook
Subject Area
Performing Arts
Number of Pages
272 Pages

Dimensions

Item Length
6.4 in
Item Height
0.8 in
Item Width
9.5 in
Item Weight
19.2 Oz

Additional Product Features

LCCN
2016-478766
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1993.5.E82
Reviews
"This book introduces us to many powerful and important movies, from Eastern Europe and Russia, that are far too little known in the English-speaking world. It widens our knowledge of the ways that body images, and the politics and pleasures of bodies, can be expressed in film." -- Steven Shaviro, Wayne State University"Impressive. The hard-working collaborators on this volume have made a formidable contribution." -- Dina Iordanova, University of St Andrews, The Russian Review, This book introduces us to many powerful and important movies, from Eastern Europe and Russia, that are far too little known in the English-speaking world. It widens our knowledge of the ways that body images, and the politics and pleasures of bodies, can be expressed in film. Steven Shaviro, Wayne State University, "This book introduces us to many powerful and important movies, from Eastern Europe and Russia, that are far too little known in the English-speaking world. It widens our knowledge of the ways that body images, and the politics and pleasures of bodies, can be expressed in film." -- Steven Shaviro, Wayne State University "Impressive. The hard-working collaborators on this volume have made a formidable contribution." -- Dina Iordanova, University of St Andrews, The Russian Review, "This book introduces us to many powerful and important movies, from Eastern Europe and Russia, that are far too little known in the English-speaking world. It widens our knowledge of the ways that body images, and the politics and pleasures of bodies, can be expressed in film." -- Steven Shaviro, Wayne State University, This book introduces us to many powerful and important movies, from Eastern Europe and Russia, that are far too little known in the English-speaking world. It widens our knowledge of the ways that body images, and the politics and pleasures of bodies, can be expressed in film.'
Table of Content
Introduction: Shaping the Cinematic Bodies of Eastern Europe and Russia, Ewa Mazierska, Matilda Mroz and Elzbieta Ostrowska I: Wounds and Traumas Chapter One: "What does Poland Want From Me?": Male hysteria in Andrzej Wajda's War Trilogy, Elzbieta Ostrowska Chapter Two: Alcoholism and the Doctor in Béla Tarr's Satantango , Calum Watt Chapter Three: Playing Dead: Pictorial Figurations of Melancholia in Contemporary Hungarian Cinema, Hajnal Király Chapter Four: The Body Breached: Post-Soviet Masculinity on Screen, Helena Goscilo II: Transgressions and Pleasures Chapter Five: Borowczyk as Pornographer, Ewa Mazierska Chapter Six: Queering Masculinity in Yugoslav Socialist Realist Films, Nebojsa Jovanovic Chapter Seven: Geographies of Carnality: Slippery Sexuality in Wiktor Grodecki's Gay Hustler Trilogy, Bruce Williams Chapter Eight: A Mass Doubling of Heroes: Post-Human Objects of Queer Desire in Vladimir Sorokin and Ilya Khrzhanovsky's 4 , Alexandar Mihailovic III: Carnal Histories Chapter Nine: The Touch of History: A Phenomenological Approach to 1960s Czech Cinema, David Sorfa Chapter Ten: Corporeal Exploration in Györgi Pálfi's Taxidermia , Malgorzata Bugaj Chapter Eleven: Aerial Bodies in Polish Cinema, Dorota Ostrowska Chapter Twelve: The 'Chemistry' of Art(ifice) and Life: Embodied Paintings in East European Cinema, Ágnes Petho Index
Copyright Date
2016
Dewey Decimal
791.43094709/045
Dewey Edition
23
Illustrated
Yes

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