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Konzertsäle und Opernhäuser: Musik, Akustik und Architektur von Leo Berane-

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Concert Halls and Opera Houses: Music, Acoustics, and Architecture by Leo Berane
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Zuletzt aktualisiert am 19. Mai. 2024 08:39:31 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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ISBN-13
9780387955247
Book Title
Concert Halls and Opera Houses
ISBN
9780387955247
Publication Year
2003
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Concert Halls and Opera Houses : Music, Acoustics, and Architecture
Author
Leo Leroy Beranek
Features
Revised
Item Length
10in
Publisher
Springer New York
Item Width
7in
Item Weight
117.8 Oz
Number of Pages
Xxiii, 661 Pages

Über dieses Produkt

Product Information

This illustrated guide to 100 of the world's most important concert halls and opera houses will serve as a valuable guide for today's peripatetic performers and music lovers. The technical discussion is relegated to the appendices, so most of the book can be read with pleasure by anyone interested in musical performance.

Product Identifiers

Publisher
Springer New York
ISBN-10
0387955240
ISBN-13
9780387955247
eBay Product ID (ePID)
2250685

Product Key Features

Author
Leo Leroy Beranek
Publication Name
Concert Halls and Opera Houses : Music, Acoustics, and Architecture
Format
Hardcover
Language
English
Features
Revised
Publication Year
2003
Type
Textbook
Number of Pages
Xxiii, 661 Pages

Dimensions

Item Length
10in
Item Width
7in
Item Weight
117.8 Oz

Additional Product Features

Number of Volumes
1 Vol.
Lc Classification Number
Qc221-246
Edition Description
Revised Edition
Edition Number
2
Reviews
From the reviews of the second edition: Advance praise for Leo Beranek's "Concert Halls and Opera Houses: Music, Acoustics, and Architecture" -- PHILIP GOSSETT, PROFESSOR OF MUSIC, UNIVERSITY OF CHICAGO: Given the many controversies surrounding the acoustical properties of concert halls and opera houses, it is a relief to be guided by someone who is both a scientist and a devoted listener. Here, the mysteries of acoustics seem less intimidating: we come to understand why music sounds the way it does in various performance spaces, and what we can do about it. It's a terrific book! I. M. PEI, ARCHITECT, NEW YORK: [This book] provides an invaluable reference for the understanding and design of music facilities. JOHN WILLIAMS, COMPOSER AND CONDUCTOR, LOS ANGELES: Dr. Beranek has created a comprehensive and fascinating study of 100 of the world's halls for music. Visiting each of these venues would be a great delight and a marvelous adventure, but such being impractical, this great book is the next best thing. All lovers of music, acoustics, architecture, and travel will enjoy this unique work. WILLIAM L. RAWN III, FAIA, ARCHITECT, BOSTON: The rigor, clarity and comprehensiveness of Concert Halls and Opera Houses, balanced brilliantly by Leo Beranek's personal and subjective sense of acoustics and music, provides a powerful resource for architects and music lovers alike. Beranek's passion for music helps to make this the most significant music acoustics book of our times. HELMUT A. MUELLER, MUELLER-BBM GMBH, ACOUSTICAL AND ENVIRONMENTAL CONSULTANTS, PLANEGG, GERMANY: Art and science are combined in Leo Beranek's new book. Presented are carefully collected plans, data and pictures of halls for music, and assessments of their acoustical quality by artists, critics and audiences, as well as measured scientific criteria. It is an easily readable, "must" handbook for anyone traveling to perform or attend concert or opera music. "The present volume is an astonishing feat by an old gentleman who is still active. a? The book explains the intricacies of modern auditorium acoustics, a much more complex science than it had been in the immediate post-WWII era a? . There is a detailed bibliography and an excellent index. a? This is an easily readable book. Beranek explains the complexities of the acoustical criteria lucidly, and describes the halls concisely, but clearly with the aid of illustrations and data." (Architectural Science Review, Vol. 43 (3), September, 2004)   RUSSELL JOHNSON, ACOUSTICS AND THEATER CONSULTANT, ARTEC CONSULTANTS, INC., NEW YORK: Concert Halls and Opera Houses sets forth the harvest of six decades of intensive study of acoustics for music performance. It is a comprehensive (and indispensable) aid to architects, musicians and design teams who tackle the incredibly daunting task of creating new performance spaces. HIDEKI TACHIBANA, PROFESSOR OF ACOUSTICS, UNIVERSITY OF TOKYO, JAPAN: This book assembles architectural and acoustical data on 100 spaces for music and rank-orders over two-thirds according to their acoustical quality as judged by musicians and music critics. It gives comprehensive knowledge of room acoustics and offers a basic foundation for acoustical research long into the future. R. LAWRENCE KIRKEGAARD, ACOUSTICAL CONSULTANT, CHICAGO, ILLINOIS: Beranek has created a new Rosetta Stone for the languages of music, acoustics, and architecture. Lovers of music everywhere will welcome this extraordinary work for its scope, depth, and ease of reading, and for heightening our understanding and enjoyment of the musical experiences that so enrich our lives. ROB HARRIS, DIRECTOR, ARUP ACOUSTICS, WINCHE
Table of Content
One Music and Acoustics.- What Are Good Acoustics?.- Acoustics and the Performers.- Acoustics and Musical Periods.- Acoustics and Listeners.- Two The Language of Musical Acoustics.- Definitions and Explanations of Selected Terms.- Three One Hundred Concert Halls and Opera Houses.- United States.- Argentina.- Australia.- Austria.- Belgium.- Brazil.- Canada.- China.- Denmark.- England.- Finland.- France.- Germany.- Greece.- Hungary.- Ireland.- Israel.- Italy.- Japan.- Malaysia.- Mexico.- Netherlands.- New Zealand.- Norway.- Scotland.- Spain.- Sweden.- Switzerland.- Taiwan.- Venezuela.- Wales.- Four Acoustics of Concert Halls.- Rank-Orderings of Acoustical Quality of 58 Concert Halls Developed from Interviews and Questionnaires.- Reverberation Time: Musicians Preferences.- Architectural Basics.- Physical Measures of Acoustical Quality.- Further Architectural Considerations.- Architectural Design of Chamber Music Halls.- Concluding Remarks.- Five Acoustics of Opera Houses.- Questionnaire Rank-Orderings of Acoustical Quality of 21 Opera Houses.- Objective Measurements of the Acoustical Properties of 23 Opera Houses.- Orchestra Pits.- Appendix 1 Terminology Definitions, and Conversion Factors.- Appendix 2 Acoustical Data for Concert Halls & Opera Houses.- Appendix 3 Equations, Technical Data, and Sound Absorption.- Name Index.
Copyright Date
2004
Topic
Theater / General, Construction / Heating, Ventilation & Air Conditioning, Acoustics & Sound
Lccn
2002-070734
Dewey Decimal
725/.81
Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Genre
Technology & Engineering, Science, Performing Arts

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