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Das neue Quartett: Blue Rhizome (CD) Imaginary Chicago Records 2008-

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The New Quartet: Blue Rhizome (CD) Imaginary Chicago Records 2008
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Artikelmerkmale

Artikelzustand
Neu: Artikel, dessen Originalverpackung (sofern zutreffend) nicht geöffnet oder entfernt wurde. Der ...
Country/Region of Manufacture
United States
Edition
1st Edition
Case Type
Cardboard Sleeve
Style
Avant-garde/Free Jazz, Contemporary Jazz, Jazz Instrument, Jazz Rock
Type
Album
UPC
0877319000843
EAN
0877319000843
Artist
Seigfried, Karle E.H.
Format
CD
Record Label
Cdb, CD Baby
Release Year
2006
Release Title
Criminal Mastermind
Genre
Jazz

Über dieses Produkt

Product Identifiers

Record Label
Cdb, CD Baby
UPC
0877319000843
eBay Product ID (ePID)
28046067502

Product Key Features

Artist
Seigfried, Karle E.H.
Format
CD
Release Year
2006
Release Title
Criminal Mastermind
Genre
Jazz

Dimensions

Item Length
5.60in
Item Height
0.40in
Item Width
4.90in
Item Weight
0.25lb.

Additional Product Features

Number of Discs
1
Notes
KARL E. H. SEIGFRIED CRIMINAL MASTERMIND Imaginary Chicago Records 002 ____ * BASS WORLD (MAGAZINE OF THE INT'L SOCIETY OF BASSISTS) Karl E. H. Seigfried is a very talented bassist with a lot to say, musically speaking. CRIMINAL MASTERMIND is his recording of (largely) free pieces for solo double bass. His technical prowess is great, and musically he is rich with compelling ideas. The opening salvo is titled 'Beneath the Underdog.' This pizzicato ode to Charles Mingus is cool and bluesy--in addition to the Charles Mingus influence present here, I also detected shades of Bert Turetzy, so was not at all surprised to learn that Seigfried had studied with Turetzky. Seigfried follows this with 'Mass Builder,' which shows off his arco playing and his deep, rich sound, especially in the low register. This cut is characterized by great sweeping sounds, in and out of ponticello. Throughout the album, Seigfried provides sonic and timbral variety by mixing up arco and pizzicato, as well as adding other colors by employing techniques such as ponticello, col legno, slapping the strings, and knocking on the body of the bass, to name a few. Additionally, he frequently utilizes double-stops, chords, and melodies over an open string drone, which serve to give texture and depth to this solo project, and are executed with enviable intonation. His musical influences, as heard in his playing, are many and varied: the listener will detect styles such as jazz, classical, old guitar-based rural blues (think Robert Johnson), perhaps even traditional Japanese music. Each piece on this CD offeres the listener a different character to get to know. From the somber-toned tome titled 'Today,' to 'Hypnotize Minds,' with it's emphasis on rhythm, to the final three pieces that make up Seigfried's 'Malachi Favors Suite,' there is a chance to hear the bassist exploring, reaching, and offering his findings. * JAZZREVIEW.COM (USA) Seigfried has played and taught bass in virtually all musical styles - from classical to avant garde jazz. CRIMINAL MASTERMIND reveals a first-rate improvising bass player with great chops, a penetrating sound, and some very interesting ideas. He also knows how to tell a story - the fact that CRIMINAL MASTERMIND sustained my interest throughout it's nearly 70 minute duration is saying quite a bit. The pieces are not all that abstract. Seigfried likes to muscle the bass around as if it were a large acoustic guitar. Folk-like themes crop up, and the blues is palpable even during Seigfried's most edgy improvisations. He is fond of arco bass and uses the bow frequently, often switching back and forth between the fingers and the horsehair at crucial moments during his improvisations. He uses a wooden dowel to hit and bow the strings on 'Ambient' and 'Hypnotize Minds', generating some fascinating and unexpected timbres. 'Ambient' also captures police sirens and a ringing cell phone in the background. I came away from "Criminal Mastermind" impressed - both with Seigfried's talent as a bassist and an improvisor. Karl E. H. Seigfried is definitely a musician to watch and a huge asset to the already ultra-deep Chicago jazz scene. * CADENCE MAGAZINE (USA) This is a thoughtful and enjoyable contribution to the genre of the solo bass recital. Seigfried's activities span the classical and Jazz spheres, as well as many other fields, and they all come into play here: listen, for instance, to the heavy rock pieces 'Ambient' and 'Hypnotize Minds,' where the bassist uses a col legno attack to mimic an electric-bass-and-drums onslaught. Most of the pieces, though, are aching folk-Blues melismas, in which Seigfried is never in a hurry to obscure the basic key centre. The results are like a virtuosic elaboration of the work of Charlie Haden, bedded in a stately, stoical beauty but yielding at times to giddy flurries of ornamentation. The standout performance is the three-part 'Malachi Favors Suite,' which begins with a hard-swinging Blues and ends w
Tracks
1.1 Beneath the Underdog 1.2 Mass Builder 1.3 Ambient 1.4 Low End Theory 1.5 Today 1.6 Philosopher's Requiem 1.7 Hypnotize Minds 1.8 Up from Mississippi (The Malachi Favors Suite) 1.9 Ancient to the Future (The Malachi Favors Suite) 1.10 I Am the Host (The Malachi Favors Suite)
Number of Tracks
10

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