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Alle Übertragungen stehlen: Eine geheime Geschichte des Zusammenstoßes von Doane, Randal-
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 1629630292
- Book Title
- Stealing All Transmissions : a Secret History of the Clash
- Item Length
- 9in
- Publisher
- PM Press
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Music, Social Science
- Topic
- Genres & Styles / Punk, Media Studies, Genres & Styles / Rock
- Item Width
- 6in
- Item Weight
- 0.4 Oz
- Number of Pages
- 192 Pages
Über dieses Produkt
Product Information
Stealing All Transmissions begins in 1977 when select rock journalists and DJs aided The Clash's quest to depose the rock that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance in NYC, which concluded with Paul Simonon treating his bass like a
Product Identifiers
Publisher
PM Press
ISBN-10
1629630292
ISBN-13
9781629630298
eBay Product ID (ePID)
201645663
Product Key Features
Book Title
Stealing All Transmissions : a Secret History of the Clash
Format
Trade Paperback
Language
English
Topic
Genres & Styles / Punk, Media Studies, Genres & Styles / Rock
Publication Year
2014
Genre
Music, Social Science
Number of Pages
192 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
0.4 Oz
Additional Product Features
Lc Classification Number
Ml421.C57
Reviews
"Stealing is unlike anything else you've ever read about The Clash. The maneuvers by American radio DJs, music journalists, and record company execs are deftly woven into the band's own story." --Barry "The Baker" Auguste, roadie for The Clash "With Stealing All Transmissions, Randal Doane documents with wit and verve how The Clash leapt from the Westway to the USA in 1979 with the help of rock journalists and key deejays in the States. It was an honor to work with The Clash back in the day, and a pleasure revisiting those days through this book. It's a must have for Clashophiles on both sides of the Atlantic." --Dan Beck, former senior vice president at Epic Records "Stealing is a must-read for music fans of all varieties, for it's much more than a book about The Clash. With a captivating narrative and well-written prose, Stealing makes sense of what happened to free-form radio and the DIY ethic of punk, and deftly connects that history to the era of file-sharing and satellite radio. Don't miss this book. Steal it if you must!" --Michael Roberts, author of Tell Tchaikovsky the News: Rock 'n' Roll, the Labor Question, and the Musicians' Union, 1942-1968 "Randal Doane's Stealing All Transmissions is not the story I was expecting from the title. Thankfully. We have all read those books about artists of all stripes (and zippers), from which we learn only about misery, malfeasance, and bad behavior. But this is not that book. The Clash is at the center of the story, but the heart of it belongs to other players. People drawn into the orbit who cared, who pushed both themselves and the band forward, who took risks because they felt and knew they were seeing and hearing a revolution. The people who were excited and inspired by the catalysts (The Clash), whose stories are integral to the core of the band's American journey, and fascinating to finally read about, all in one place. --Hugo Burnham, founder and drummer, Gang of Four, associate professor, New England Institute of Art, "Above all, the book helps explain factors crucial to any fan's understanding and appreciation of this often most misrepresented of groups." --Kris Needs, Record Collector, " Stealing All Transmissions distills one fan's decades of wide reading, deep listening, and just plain thinking into a multi-faceted gem." --Kathy Shaidle, pjmedia.com, " Stealing is a must-read for music fans of all varieties, for it's much more than a book about The Clash. With a captivating narrative and well-written prose, Stealing makes sense of what happened to free-form radio and the DIY ethic of punk, and deftly connects that history to the era of file-sharing and satellite radio. Don't miss this book. Steal it if you must!" --Michael Roberts, author, Tell Tchaikovsky the News: Rock 'n' Roll, the Labor Question, and the Musicians' Union, 1942-1968 , "Randal Doane's take on this chapter in music history is unique because he spoke to a lot of people who were part of the wheel that rolled The Clash forward . . . This was a hungry young band with righteous anger at social injustice and Randal captures that vibe that was so vital . . . before the money started rolling in and muddied the waters for these dedicated punk rockers." --DJ Meg Griffin, formerly at WNEW-FM and WPIX-FM, SiriusXM Radio "Doane's account burns through a three-year period ('79-'81) when a group of U.S. promoters, retailers, rock writers, fans, and radio DJs endeavored to break The Clash in America. This culminated in the band, who had been suffering from a nasty press backlash in their home country, being signed to CBS and recording their artistic triumph London Calling ." --Matthew Duersten, lamag.com "Thoughtful and enthusiastic, if laudatory, this work examines the Clash through the lens of 1977-83 punk rock and romanticizes the disenfranchised, alternative, DIY work ethic of the movement's leaders." --Douglas C. Lord, Library Journal, " Stealing All Transmissions is a wonder of a book. Slim, yes, but nearly every page is filled with insight and originality. It sets a high bar for the many more volumes that will undoubtedly be written about the Clash in the years ahead." --Adam Ellsworth, artsfuse.org, "Quite unlike anything else you've read about The Clash thus far...a unique take. . . . research is strong and well formulated. . . . perspective provides such depth. . . . a great read." -- The Clash Blog, "Doane's diligence and scrutiny reminds readers about when inventive music, combative attitudes, and intelligent lyrics mattered for millions of fans." --John L. Murphy, Spectrum Culture, "Randal Doane's take on this chapter in music history is unique because he spoke to a lot of people who were part of the wheel that rolled The Clash forward . . . This was a hungry young band with righteous anger at social injustice and Randal captures that vibe that was so vital . . . before the money started rolling in and muddied the waters for these dedicated punk rockers." --DJ Meg Griffin, formerly at WNEW-FM and WPIX-FM, SiriusXM Radio , "Randal Doane's Stealing All Transmissions: A Secret History of the Clash is not the story I was expecting from the title. Thankfully. We have all read those books about artists of all stripes (and zippers), from which we learn only about misery, malfeasance, and bad behavior. But this is not that book. The Clash is at the center of the story, but the heart of it belongs to other players. People drawn into the orbit who cared, who pushed both themselves and the band forward, who took risks because they felt and knew they were seeing and hearing a revolution. The people who were excited and inspired by the catalysts (The Clash), whose stories are integral to the core of the band's American journey, and fascinating to finally read about, all in one place. [...] Ladies and gentlemen, please raise your glasses and cans to Messrs. Doane and Auguste. A triumphant work from this unlikely Gang of Two." --Hugo Burnham, founder and drummer, Gang of Four, associate professor, New England Institute of Art , "Randal Doane's Stealing All Transmissions: A Secret History of the Clash is not the story I was expecting from the title. Thankfully. We have all read those books about artists of all stripes (and zippers), from which we learn only about misery, malfeasance, and bad behavior. But this is not that book. The Clash is at the center of the story, but the heart of it belongs to other players. People drawn into the orbit who cared, who pushed both themselves and the band forward, who took risks because they felt and knew they were seeing and hearing a revolution. The people who were excited and inspired by the catalysts (The Clash), whose stories are integral to the core of the band's American journey, and fascinating to finally read about, all in one place. [...] Ladies and gentlemen, please raise your glasses and cans to Messrs. Doane and Auguste. A triumphant work from this unlikely Gang of Two." --Hugo Burnham, founder and drummer, Gang of Four, associate professor, New England Institute of Art, "With Stealing All Transmissions , Randal Doane documents with wit and verve how The Clash leapt from the Westway to the USA in 1979 with the help of rock journalists and key deejays in the States. It was an honor to work with The Clash back in the day, and a pleasure revisiting those days through this book. Doane's passion for The Clash and their comrades resonates on every page of this dynamic read. Stealing 's a must have for Clashophiles on both sides of the Atlantic." --Dan Beck, former senior vice president at Epic Records,managing partner, Big Honcho Media, "Although The Clash are one of the most chronicled of punk bands, Doane's history stands apart, because it dwells on how the band found America - and equally, how the music business, media and ardent fans discovered them - and forged a new landscape of popular culture." -- Big Takeover, "Doane's diligence and scrutiny reminds readers about when inventive music, combative attitudes, and intelligent lyrics mattered for millions of fans." --John L. Murphy, Spectrum Culture, "Randal Doane's take on this chapter in music history is unique because he spoke to a lot of people who were part of the wheel that rolled The Clash forward . . . This was a hungry young band with righteous anger at social injustice and Randal captures that vibe that was so vital . . . before the money started rolling in and muddied the waters for these dedicated punk rockers." --DJ Meg Griffin, formerly at WNEW-FM and WPIX-FM, SiriusXM Radio, "Above all, the book helps explain factors crucial to any fan's understanding and appreciation of this often most misrepresented of groups." --Kris Needs, Record Collector, "Randal Doane's take on this chapter in music history is unique because he spoke to a lot of people who were part of the wheel that rolled The Clash forward . . . This was a hungry young band with righteous anger at social injustice and Randal captures that vibe that was so vital . . . before the money started rolling in and muddied the waters for these dedicated punk rockers." --DJ Meg Griffin, formerly at WNEW-FM and WPIX-FM, SiriusXM Radio "Doane's account burns through a three-year period ('79-'81) when a group of U.S. promoters, retailers, rock writers, fans, and radio DJs endeavored to break The Clash in America. This culminated in the band, who had been suffering from a nasty press backlash in their home country, being signed to CBS and recording their artistic triumph London Calling ." --Matthew Duersten, lamag.com "Thoughtful and enthusiastic, if laudatory, this work examines the Clash through the lens of 1977-83 punk rock and romanticizes the disenfranchised, alternative, DIY work ethic of the movement's leaders." --Douglas C. Lord, Library Journal "Randal Doane has produced a superb account of the development of one of the iconic punk bands and placed their career and legacy firmly in context, not just of their time, but in the wider picture of the history of Rock." --Dave Jennings, louderthanwar.com, " Stealing is a must-read for music fans of all varieties, for it's much more than a book about The Clash. With a captivating narrative and well-written prose, Stealing makes sense of what happened to free-form radio and the DIY ethic of punk, and deftly connects that history to the era of file-sharing and satellite radio. Don't miss this book. Steal it if you must!" --Michael Roberts, author, Tell Tchaikovsky the News: Rock 'n' Roll, the Labor Question, and the Musicians' Union, 1942-1968
Copyright Date
2014
Lccn
2014-908059
Dewey Decimal
782.421660922
Intended Audience
Trade
Dewey Edition
23
Illustrated
Yes
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