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Himmelsgesang: Musik im frühen englischen religiösen Drama I, Taschenbuch von Rasta...-
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eBay-Artikelnr.:364769002401
Artikelmerkmale
- Artikelzustand
- Book Title
- Heaven Singing : Music in Early English Religious Drama I
- ISBN
- 9780859915502
- Subject Area
- Literary Criticism, Music
- Publication Name
- The Heaven Singing : Music in Early English Religious Drama
- Publisher
- Boydell & Brewer, The Limited
- Item Length
- 10.5 in
- Subject
- History & Criticism, Medieval, Drama
- Publication Year
- 1996
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.5 in
- Item Weight
- 24.3 Oz
- Item Width
- 6.1 in
- Number of Pages
- 452 Pages
Über dieses Produkt
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
0859915506
ISBN-13
9780859915502
eBay Product ID (ePID)
707738
Product Key Features
Number of Pages
452 Pages
Publication Name
The Heaven Singing : Music in Early English Religious Drama
Language
English
Publication Year
1996
Subject
History & Criticism, Medieval, Drama
Type
Textbook
Subject Area
Literary Criticism, Music
Format
Trade Paperback
Dimensions
Item Height
1.5 in
Item Weight
24.3 Oz
Item Length
10.5 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
Its scope is impressive. Rastall's task has been to explore the wide musical spectrum of early English drama... a formidable achievement, indispensable for any serious and comprehensive study of early English drama. MEDIUM AEVUM Deserves to be read widely by those interested in the plays as literature and drama as well as by those seeking to ... build up a picture of the musical culture the plays imply. EARLY MUSIC REVIEW
Illustrated
Yes
Synopsis
Its scope is impressive... a formidable achievement, indispensable for any serious and comprehensive study of early English drama. MEDIUM AEVUM, Its scope is impressive... a formidable achievement, indispensable for any serious and comprehensive study of early English drama. MEDIUM AEVUM Richard Rastall's two books on music in early English religious drama complement each other. Heaven Singing provides an overview of the evidence for music in the plays, and defines the place, nature and cultural contexts ofmusic in the drama; Minstrels Playing is a discussion of the evidence for every play in that repertory, and is therefore concerned with the place and nature of musical performance in each play individually. Where should there be music in an anonymous English religious play of the fifteenth or sixteenth century? What sort of music should it be, and by what forces should it be performed? This volume shows how music was used at the time of the plays' production, both through a close examination of individual texts, and of the place of music in the intellectual and artistic life of the middle ages. Richard Rastall begins by discussing the internal literary evidence of theplay texts, the surviving notated music in the plays, and documentary evidence of productions, before turning to the wider cultural context in which the plays were composed and performed. He considers the representational and dynamic functions of music in the plays, the relationship between music, drama and liturgy, and the performers themselves - who they were, and what they might be expected to do. Related factors necessary to the discovery of how musicwas used in late medieval drama are also considered, from medieval cosmology and the numerical construction of plays to the age and size of boy actors. Dr RICHARD RASTALL is Reader in Historical Musicology at the University of Leeds, and Dean of the Faculty of Arts., Richard Rastall's two books on music in early English religious drama complement each other. Heaven Singing provides an overview of the evidence for music in the plays, and defines the place, nature and cultural contexts of music in the drama; Minstrels Playing is a discussion of the evidence for every play in that repertory, and is therefore concerned with the place and nature of musical performance in each play individually. Where should there be music in an anonymous English religious play of the fifteenth or sixteenth century? What sort of music should it be, and by what forces should it be performed? This volume shows how music was used at the time of the plays' production, both through a close examination of individual texts, and of the place of music in the intellectual and artistic life of the middle ages. Richard Rastall begins by discussing the internal literary evidence of the play texts, the surviving notated music in the plays, and documentary evidence of productions, before turning to the wider cultural context in which the plays were composed and performed. He considers the representational and dynamic functions of music in the plays, the relationship between music, drama and liturgy, and the performers themselves - who they were, and what they might be expected to do. Related factors necessary to the discovery of how music was used in late medieval drama are also considered, from medieval cosmology and the numerical construction of plays to the age and size of boy actors.Dr RICHARD RASTALL is Reader in Historical Musicology at the University of Leeds, and Dean of the Faculty of Arts.
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- 4***b (2968)- Bewertung vom Käufer.Letzter MonatBestätigter KaufNice Book And Fast Delivery!!!
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