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Rethinking Reich von Sumanth Gopinath (englisch) Taschenbuch Buch-
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Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780190605292
- Book Title
- Rethinking Reich
- ISBN
- 9780190605292
- Publication Year
- 2019
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Rethinking Reich
- Item Height
- 1in
- Item Length
- 6.1in
- Publisher
- Oxford University Press, Incorporated
- Item Width
- 9.2in
- Item Weight
- 20.8 Oz
- Number of Pages
- 416 Pages
Über dieses Produkt
Product Information
Rethinking Reich brings together new perspectives on one of America's greatest contemporary composers. Offering a critical engagement with Steve Reich's prominence in the numerous, overlapping, and contentious worlds of contemporary classical music, these tightly focused and multifarious essays reassess the composer's contribution to music in the twentieth century.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190605294
ISBN-13
9780190605292
eBay Product ID (ePID)
10038282452
Product Key Features
Publication Name
Rethinking Reich
Format
Trade Paperback
Language
English
Publication Year
2019
Type
Textbook
Number of Pages
416 Pages
Dimensions
Item Length
6.1in
Item Height
1in
Item Width
9.2in
Item Weight
20.8 Oz
Additional Product Features
Lc Classification Number
Ml410.R27r47 2019
Reviews
"This volume 'rethinks Reich' both by drawing substantially on unexplored archive materials, and by approaching Reich's varied output from original and unexpected cultural perspectives. It represents a major contribution both to our understanding of Steve Reich and to the broader fields of post-1960 experimental and postmodern music." -- Robert Adlington, Professor of Contemporary Music, University of Huddersfield "A book-length study of Steve Reich is long overdue, particularly one that critically and creatively engages his work -- as this book does, from the title onward -- beyond the bounds of the composer's own exegeses. The contributors' varied approaches constitute some the most exciting and insightful voices in contemporary music scholarship, commensurate with Reich's own complicated intersections with diverse musics, methods, and media. And because of Reich's ubiquity within contemporary art music as well as his eclectic inroads into popular culture, this volume will likely find its way onto the shelves of musicians, scholars, and fans alike." -- Jeremy Grimshaw, Associate Dean, BYU College of Fine Arts and Communications, author of Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young, "Specialists in the arts or in cultural studies will appreciate this excellent collection ...Recommended" -- CHOICE"This volume 'rethinks Reich' both by drawing substantially on unexplored archive materials, and by approaching Reich's varied output from original and unexpected cultural perspectives. It represents a major contribution both to our understanding of Steve Reich and to the broader fields of post-1960 experimental and postmodern music." -- Robert Adlington, Professor of Contemporary Music, University of Huddersfield"A book-length study of Steve Reich is long overdue, particularly one that critically and creatively engages his work -- as this book does, from the title onward -- beyond the bounds of the composer's own exegeses. The contributors' varied approaches constitute some the most exciting and insightful voices in contemporary music scholarship, commensurate with Reich's own complicated intersections with diverse musics, methods, and media. And because of Reich'subiquity within contemporary art music as well as his eclectic inroads into popular culture, this volume will likely find its way onto the shelves of musicians, scholars, and fans alike." -- JeremyGrimshaw, Associate Dean, BYU College of Fine Arts and Communications, author of Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young, "Specialists in the arts or in cultural studies will appreciate this excellent collection ...Recommended" -- CHOICE "This volume 'rethinks Reich' both by drawing substantially on unexplored archive materials, and by approaching Reich's varied output from original and unexpected cultural perspectives. It represents a major contribution both to our understanding of Steve Reich and to the broader fields of post-1960 experimental and postmodern music." -- Robert Adlington, Professor of Contemporary Music, University of Huddersfield "A book-length study of Steve Reich is long overdue, particularly one that critically and creatively engages his work -- as this book does, from the title onward -- beyond the bounds of the composer's own exegeses. The contributors' varied approaches constitute some the most exciting and insightful voices in contemporary music scholarship, commensurate with Reich's own complicated intersections with diverse musics, methods, and media. And because of Reich's ubiquity within contemporary art music as well as his eclectic inroads into popular culture, this volume will likely find its way onto the shelves of musicians, scholars, and fans alike." -- Jeremy Grimshaw, Associate Dean, BYU College of Fine Arts and Communications, author of Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young, "Specialists in the arts or in cultural studies will appreciate this excellent collection ...Recommended" -- CHOICE "This volume 'rethinks Reich' both by drawing substantially on unexplored archive materials, and by approaching Reich's varied output from original and unexpected cultural perspectives. It represents a major contribution both to our understanding of Steve Reich and to the broader fields of post-1960 experimental and postmodern music." -- Robert Adlington, Professor of Contemporary Music, University of Huddersfield"A book-length study of Steve Reich is long overdue, particularly one that critically and creatively engages his work -- as this book does, from the title onward -- beyond the bounds of the composer's own exegeses. The contributors' varied approaches constitute some the most exciting and insightful voices in contemporary music scholarship, commensurate with Reich's own complicated intersections with diverse musics, methods, and media. And because of Reich's ubiquity within contemporary art music as well as his eclectic inroads into popular culture, this volume will likely find its way onto the shelves of musicians, scholars, and fans alike." -- Jeremy Grimshaw, Associate Dean, BYU College of Fine Arts and Communications, author of Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young
Table of Content
ContentsAcknowledgmentsContributorsIntroduction: Reich in ContextSumanth Gopinath and Pwyll ap SiônPart I Political, Aesthetic, and Analytical Concerns1. "Departing to other spheres": Psychedelic Science Fiction, Perspectival Embodiment, and the Hermeneutics of Steve Reich's Four Organs-- by Sumanth Gopinath2. "Moving Forward, Looking Back": Resulting Patterns, Extended Melodies, Eight Lines, and the influence of the West on Steve Reich -- by Pwyll ap Siôn3. Different Tracks: Narrative sequence, Harmonic (Dis)continuity and Structural Organization in Steve Reich's Different Trains and The Cave-- by Maarten Beirens4. "We are not trying to make a political piece": The Reconciliatory Aesthetic of Steve Reich's The Cave-- by Ryan EbrightPart II Repetition, Speech, and Identity5. Repetition, Speech, and Authority in Steve Reich's "Jewish" Music-- by Robert Fink6. Steve Reich's Dramatic Sound Collage for the Harlem Six: Towards a Prehistory of Come Out-- by John Pymm7. From World War Two to the "War on Terror": An Examination of Steve Reich's "Docu-Music" Style in WTC 9/11-- by Celia Fitz-WalterPart III Reich Revisited: Sketch Studies8. "Save as ... »": Hybrid Resources in the Steve Reich Collection-- by Matthias Kassel9. Sketching a New Tonality: A Preliminary Assessment of Steve Reich's Sketches for Music for 18 Musicians in Telling the Story of This Work's Approach to Tonality-- by Keith Potter10. Improvisation, Two Variations on a Watermelon, and a New Timeline for Piano Phase-- by David Chapman11. Steve Reich's Counterpoints and Computers: Rethinking the 1980s-- by Twila BakkerPart IV Beyond the West: Bali, Buddhism and Africa12. Afro-Electric Counterpoint-- by Martin Scherzinger13. That's All It Does: Steve Reich and Balinese Gamelan-- by Michael Tenzer14. "Machine Fantasies into Human Events": Reich and Technology in the 1970s-- by Kerry O'Brien
Copyright Date
2019
Topic
History & Criticism, Individual Composer & Musician
Lccn
2018-041188
Dewey Decimal
780.92
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music
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