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Artikelmerkmale
- Artikelzustand
- Book Title
- Snuff: Real Death and Screen Media
- Publication Date
- 2016-01-28
- Pages
- 344
- ISBN
- 9781628921120
- Publication Year
- 2016
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Snuff : Real Death and Screen Media
- Item Height
- 0.7in
- Item Length
- 9in
- Publisher
- Bloomsbury Publishing
- Item Width
- 6in
- Item Weight
- 16.4 Oz
- Number of Pages
- 344 Pages
Über dieses Produkt
Product Information
The phenomenon of so-called 'snuff movies' (films that allegedly document real acts of murder, specifically designed to 'entertain' and sexually arouse the spectator) represents a fascinating socio-cultural paradox. At once unproven, yet accepted by many, as emblematic of the very worst extremes of pornography and horror, moral detractors have argued that the mere idea of snuff constitutes the logical (and terminal) extension of generic forms that are dependent primarily upon the excitement, stimulation and, ultimately, corruption of the senses. Snuff: Real Death and Screen Media brings together scholars from film and media studies to assess the longevity of one of screen media's most enduring cultural myths. Thorough, provocative, and well argued, the contributions to this volume address areas ranging from exploitation movies, the video industry, trends in contemporary horror cinema, pornography and Web 2.0.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1628921129
ISBN-13
9781628921120
eBay Product ID (ePID)
203458392
Product Key Features
Publication Name
Snuff : Real Death and Screen Media
Format
Trade Paperback
Language
English
Publication Year
2016
Type
Textbook
Number of Pages
344 Pages
Dimensions
Item Length
9in
Item Height
0.7in
Item Width
6in
Item Weight
16.4 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.D37s68 2016
Reviews
"There is much to be said for this timely collection of essays ... It provides a rich archive of sources for interested readers; it is diverse in range but coherent in remit, and it addresses the topic broadly enough to appeal to many different scholars ... [This] is a serious intervention deliberately situated at the intersection of debates about violence in society and violence in representation, which has long been a somewhat sensationalized space; it is an original and stimulating contribution to an otherwise undersubscribed area of intellectual interest. This book will be valuable to anyone interested in the ongoing debate about visuality, violence and death. Visual Studies These essays meticulously examine the history and mythology of the visual media's 'unholy grail'-the spectral 'real' behind film's reality effects. Tracing snuff's evolution from pornography to propaganda, from cult phenomenon to mainstream culture, this is the most comprehensive effort to date to track down the elusive phenomenon hovering at (and often defining) the boundaries between life and death, voyeurism and violence, terror and titillation, art and exploitation, realism and reality. Anyone seeking an unflinching glimpse of media in the digital age cannot ignore this collection. What was unthinkable a decade ago is now routine. Never have violence and terror been at once so visible and, as a result, so banal." - Joel Black, Professor of Comparative Literature, University of Georgia, USA "In the 1970s a toxic brew of urban decay, rising crime rates and the 'porno plague' gave rise to a new myth: that of the snuff film. Although the combination of sex and murder in the feature Snuff (1976) was quickly revealed as a hoax and the FBI could find no evidence that the real thing existed, the concept of the snuff film has endured and, ironically, taken on a life of its own. This collection of fascinating essays advances a scholarly and rigorous consideration of how the fringes of popular culture have become mainstreamed, and how media myths can become disturbing realities." Eric Schaefer, Associate Professor of Visual and Media Arts, Emerson College, USA, and author of "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959 "Snuff: Real Death and Screen Media is both thorough and wide-ranging in its approaches to the complex and malleable category of the snuff film. This book is destined to become the key text on the representations and public debates which underpin the charged and vital topic of real death on screen, and the cultural, commercial, legal, and affective consequences of its associated myths. Kate Egan, Lecturer in Film Studies, Aberystwyth University, UK, and author of Trash or Treasure? Censorship and the Changing Meanings of the Video Nasties "It is a serious intervention deliberately situated at the intersection of debates about violence in society and violence in representation, which has long been a somewhat sensationalized space; it is an original and stimulating contribution to an otherwise undersubscribed area of intellectual interest." - Alex Adams, Independent Early Career Researcher, These essays meticulously examine the history and mythology of the visual media's 'unholy grail'-the spectral 'real' behind film's reality effects. Tracing snuff's evolution from pornography to propaganda, from cult phenomenon to mainstream culture, this is the most comprehensive effort to date to track down the elusive phenomenon hovering at (and often defining) the boundaries between life and death, voyeurism and violence, terror and titillation, art and exploitation, realism and reality. Anyone seeking an unflinching glimpse of media in the digital age cannot ignore this collection. What was unthinkable a decade ago is now routine. Never have violence and terror been at once so visible and, as a result, so banal.
Table of Content
List of FiguresForeword: A Culture of CHangeDavid Kerekes (Owner of Headpress and author of Killing For Culture)Acknowledgements Introduction: Shot, Cut and SlaughteredNeil Jackson (University of Lincoln, UK) Part I - The Changing Meaning of "Snuff" Chapter 1: The Way to Digital DeathJulian Petley (Brunel University, UK)Chapter 2: The Affective Reality of SnuffMisha Kavka (University of Auckland, New Zealand)Chapter 3: Animal SnuffSimon Hobbs (University of Portsmouth, UK)Chapter 4: Breathing New Life into Old Fears: Extreme Pornogrpahy and the Wider Politics of SnuffClarissa Smith (University of Sunderland, UK)Chapter 5: From Snuff to the South: The Global Reception of Cannibal HolocaustNicolo Gallio (University of Bologna, Italy) and Xavier Mendik (University of Brighton, UK)Chapter 6: A Murder Mystery in Black and Blue: The Marketing, Distribution and Cult Mythology of Snuff in the UKMark McKenna (University of Sunderland, UK)Chapter 7: Traces of Snuff: Black Markets, Fan Subcultures and Underground Horror in the 90sJohnny Walker (Northumbria University, UK)Chapter 8: SNuff 2.0: Real Death Goes HD ReadyMark Astley (Independent Scholar, UK) Part II - "Snuff" Across Film and Television Chapter 9: Unfound Footage and Unfounded Rumours: The Manson Family Murders and the Persistence of SnuffMark Jones & Gerry Carlin (University of Wolverhampton, UK)Chapter 10: Wild Eyes, Dead Ladies: The Snuff Filmmaker in Realist HorrorNeil Jackson (University of Lincoln, UK)Chapter 11: The Mediation of Death in Fictional Snuff: Reflexivity, Viewer Interpellation and Ethical ImplicationXavier Aldana Reyes (Manchester Metropolitan University, UK)Chatper 12: "Why Would you Film It?" Snuff, Sinister and Contemporary US Horror CinemaShaun Kimber (Bournemouth University, UK) Chapter 13: Cinema as Snuff: From Pre-Cinema to Shadow of the VampireLinda Badley (Middle Tennessee State University, USA)Chapter 14: AffectTina Kendall (Anglia Ruskin University, UK)Chapter 15: A View to Kill: Perspectives on Faux-Snuff and SelfSteve Jones (Northumbria University, UK)Select BibliographyContributors
Copyright Date
2016
Topic
Film / General, Film / History & Criticism
Lccn
2015-025730
Dewey Decimal
791.436548
Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Genre
Performing Arts
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it came in good shape, all is good.
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So lovely - thank you! I love Jack's work :)
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