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Amitav Ghosh ~ RIVER OF SMOKE ~ SIGNIERT 1./DJ ~ SCHÖNE KOPIE-

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Amitav Ghosh~RIVER OF SMOKE~SIGNED 1ST/DJ~NICE COPY
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Subject
Literature, Modern
Special Attributes
1st Edition, Dust Jacket, Signed
Modified Item
No
ISBN
9780374174231
EAN
9780374174231
Book Title
River of Smoke : a Novel
Book Series
The Ibis Trilogy Ser.
Publisher
Farrar, Straus & Giroux
Item Length
9.3 in
Publication Year
2011
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.2 in
Author
Amitav Ghosh
Genre
Fiction
Topic
Literary, Historical
Item Weight
27.3 Oz
Item Width
6.2 in
Number of Pages
528 Pages

Über dieses Produkt

Product Identifiers

Publisher
Farrar, Straus & Giroux
ISBN-10
0374174237
ISBN-13
9780374174231
eBay Product ID (ePID)
102933056

Product Key Features

Book Title
River of Smoke : a Novel
Number of Pages
528 Pages
Language
English
Topic
Literary, Historical
Publication Year
2011
Illustrator
Yes
Genre
Fiction
Author
Amitav Ghosh
Book Series
The Ibis Trilogy Ser.
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
27.3 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Trade
LCCN
2011-024409
Reviews
Spellbinding and astute, Ghosh continues the nineteenth-century historical saga about the opium trade that he launched with Sea of Poppies (2008). This is an even more fluid and pleasurable tale, however dire its conflicts, and stands firmly on its own, though readers shouldn't miss the first installment . . . With one more novel to go, Ghosh's epic trilogy is on its way to making literary history., The narrative is suffused with the rich intercourse of commerce and miscegenation, embracing within its capacious rubric a variety of set-pieces, from a Chinese boat serving authentic Indian fare to an Armenian trader interviewing Napoleon in exile on St. Helena . . . The period detail is meticulously researched and lovingly described . . . The novel celebrates the joys of cultural and culinary mingling, the mongrelization of language in the forms of pidgin and Creole, and the mixing of peoples across old barriers of acceptable sexual and racial intercourse . . . With River of Smoke , Ghosh's Ibis trilogy is emerging as a monumental tribute to the pain and glory of an earlier era of globalization, an era when people came into contact and collision, intermixing costumes, customs, convictions, consonants, couplings and cash, shaping history all the while through their pettiness, their privations and their passions., Praise for Sea Of Poppies : "Ghosh's best and most ambitious work yet . . . Ghosh writes with impeccable control, and with a vivid and sometimes surprising imagination." The New Yorker "[A] sprawling and rather wonderful new historical novel . . . Ghosh's own beautifully made sentences and paragraphs buoy up ship, plot, characters, and the setting itself with a natural ease and beauty." Alan Cheuse , San Francisco Chronicle, On one level, [ River of Smoke ] is a remarkable feat of research, bringing alive the hybrid customs of food and dress and the competing philosophies of the period with intimate precision; on another it is a subversive act of empathy, viewing a whole panorama of world history from the 'wrong' end of the telescope. The real trick, though, is that it is also fabulously entertaining., Spellbinding and astute , Ghosh continues the nineteenth-century historical saga about the opium trade that he launched with Sea of Poppies (2008). This is an even more fluid and pleasurab le tale, however dire its conflicts, and stands firmly on its own, though readers shouldn't miss the first installment . . . With one more novel to go, Ghosh's epic trilogy is on its way to making literary history ., Ghosh sets the second volume of his Ibis trilogy in 1838, appropriately enough, because at heart he's a 19th-century novelist with a sweeping vision of character and culture... Ghosh triumphs both through the clarity of his style and the sweep of his vision , and he leaves the reader eager for volume three., No writer in modern India has held a novelistic lamp to the subcontinent's densely thicketed past as vividly and acutely as Amitav Ghosh . . . River of Smoke , the second volume of his ambitious Ibis trilogy, is the work of a writer with a historical awareness and an appetite for polyphony that are equal to the immense demands of the material he seeks to illuminate . . . Evenly written and engaging . . . The force of Ghosh's ideas and the beauty of his tableaus of Canton are two of the book's achievements; the semantic ripples of the variety of dialects he folds into the narration are a third. River of Smoke is both a stirring portrayal of the past and, novelistically, a prescient beacon for the future., "No writer in modern India has held a novelistic lamp to the subcontinent's densely thicketed past as vividly and acutely as Amitav Ghosh . . . River of Smoke , the second volume of his ambitious Ibis trilogy, is the work of a writer with a historical awareness and an appetite for polyphony that are equal to the immense demands of the material he seeks to illuminate . . . Evenly written and engaging." -- Chandrahas Choudhury, The New York Times Book Review "With River of Smoke , Ghosh's Ibis trilogy is emerging as a monumental tribute to the pain and glory of an earlier era of globalization, an era when people came into contact and collision, intermixing costumes, customs, convictions, consonants, couplings and cash, shaping history all the while through their pettiness, their privations and their passions." -- Shashi Tharoor, The Washington Post "Like a wonderful multicoloured tapestry Ghosh has woven a story made up of a series of vibrant threads made from a multitude of materials . .. River Of Smoke is a wonderful mixture of people, places and story that captures a moment in history like an insect snared in amber. All the details are there for the reader to see and appreciate." -- Richard Marcus, Seattle Post-Intelligencer "Spellbinding and astute, Ghosh continues the nineteenth-century historical saga about the opium trade that he launched with Sea of Poppies (2008). This is an even more fluid and pleasurable tale, however dire its conflicts, and stands firmly on its own, though readers shouldn't miss the first installment . . . With one more novel to go, Ghosh's epic trilogy is on its way to making literary history." -- Donna Seaman, Booklist (starred review) "Ghosh sets the second volume of his Ibis trilogy in 1838, appropriately enough, because at heart he's a 19th-century novelist with a sweeping vision of character and culture...Ghosh triumphs both through the clarity of his style and the sweep of his vision, and he leaves the reader eager for volume three." -- Kirkus Reviews "On one level, [ River of Smoke ] is a remarkable feat of research, bringing alive the hybrid customs of food and dress and the competing philosophies of the period with intimate precision; on another it is a subversive act of empathy, viewing a whole panorama of world history from the 'wrong' end of the telescope. The real trick, though, is that it is also fabulously entertaining." -- Tim Adams, The Observer (London) "Eloquent . . . Fascinating . . . [ River of Smoke 's] strength lies in how thoroughly Ghosh fills out his research with his novelistic fantasy, seduced by each new situation that presents itself and each new character, so that at their best the scenes read with a sensual freshness as if they were happening now." -- Tessa Hadley, The Guardian "[This] vast book has a Dickensian sweep of characters, high- and low-life intermingling . . . Ghosh conjures up a thrilling sense of place." -- The Economist "Ghosh's best and most ambitious work yet . . . [He] writes with impeccable control, and with a vivid and sometimes surprising imagination." -- The New Yorker on Sea of Poppies "A delight . . . [Ghosh is] a writer of uncommon talent who combines literary flair with a rare seriousness of purpose . . . His descriptions bring a lost world to life." -- Shashi Tharoor, The Washington Post Book World on Sea of Poppies "Brilliant . . . By the book's stormy and precarious ending, most readers will clutch it like the ship's rail awaiting, just like Ghosh's characters, the rest of the voyage to a destination unknown." -- Don Oldenburg, USA Today on Sea of Poppies, Ghosh sets the second volume of his Ibis trilogy in 1838, appropriately enough, because at heart he's a 19th-century novelist with a sweeping vision of character and culture...Ghosh triumphs both through the clarity of his style and the sweep of his vision, and he leaves the reader eager for volume three., The narrative is suffused with the rich intercourse of commerce and miscegenation, embracing within its capacious rubric a variety of set-pieces, from a Chinese boat serving authentic Indian fare to an Armenian trader interviewing Napoleon in exile on St. Helena . . . The period detail is meticulously researched and lovingly described . . . The novel celebrates the joys of cultural and culinary mingling, the mongrelization of language in the forms of pidgin and Creole, and the mixing of peoples across old barriers of acceptable sexual and racial intercourse . . . With River of Smoke , Ghosh's Ibis trilogy is emerging as a monumental tribute to the pain and glory of an earlier era of globalization , an era when people came into contact and collision, intermixing costumes, customs, convictions, consonants, couplings and cash, shaping history all the while through their pettiness, their privations and their passions., On one level, [ River of Smoke ] is a remarkable feat of research , bringing alive the hybrid customs of food and dress and the competing philosophies of the period with intimate precision; on another it is a subversive act of empathy, viewing a whole panorama of world history from the 'wrong' end of the telescope. The real trick, though, is that it is also fabulously entertaining ., [This] vast book has a Dickensian sweep of characters, high- and low-life intermingling . . . Ghosh conjures up a thrilling sense of place., A delight . . . [Ghosh is] a writer of uncommon talent who combines literary flair with a rare seriousness of purpose . . . His descriptions bring a lost world to life., Praise for River of Smoke "On one level, [ River of Smoke ] is a remarkable feat of research, bringing alive the hybrid customs of food and dress and the competing philosophies of the period with intimate precision; on another it is a subversive act of empathy, viewing a whole panorama of world history from the 'wrong' end of the telescope. The real trick, though, is that it is also fabulously entertaining." -Tim Adams, The Observer (London) "Eloquent . . . Fascinating . . . [ River of Smoke 's] strength lies in how thoroughly Ghosh fills out his research with his novelistic fantasy, seduced by each new situation that presents itself and each new character, so that at their best the scenes read with a sensual freshness as if they were happening now." -Tessa Hadley, The Guardian "[This] vast book has a Dickensian sweep of characters, high- and low-life intermingling . . . Ghosh conjures up a thrilling sense of place." - The Economist Praise for Sea of Poppies "Ghosh's best and most ambitious work yet . . . [He] writes with impeccable control, and with a vivid and sometimes surprising imagination." - The New Yorker "A delight . . . [Ghosh is] a writer of uncommon talent who combines literary flair with a rare seriousness of purpose . . . His descriptions bring a lost world to life." -Shashi Tharoor, The Washington Post Book World "Brilliant . . . By the book's stormy and precarious ending, most readers will clutch it like the ship's rail awaiting, just like Ghosh's characters, the rest of the voyage to a destination unknown." -Don Oldenburg, USA Today, Brilliant . . . By the book's stormy and precarious ending, most readers will clutch it like the ship's rail awaiting, just like Ghosh's characters, the rest of the voyage to a destination unknown., Like a wonderful multicoloured tapestry Ghosh has woven a story made up of a series of vibrant threads made from a multitude of materials . . . Ghosh has done a masterful job in not only making each of his characters fascinating studies and interesting people to spend time with, he has also managed to bring the strange exotic world of the foreign enclave in Canton vividly alive . . . While Ghosh's descriptive abilities allow us to create intricate portraits of people and locations, it's his agility with languages which gives River Of Smoke an extra level of verisimilitude. From the strange mix of words spoken by the family in the opening pages of the book, the scattering of pidgin appearing like exotic fruit in amongst the bland English of the trader's everyday speech, the conversations between the merchants and their Chinese partners, to the bombastic rhetoric of the ardent British free traders, each person we meet is given a voice as unique as their character and a language or dialect to match . . . River Of Smoke is a wonderful mixture of people, places and story that captures a moment in history like an insect snared in amber. All the details are there for the reader to see and appreciate., Like a wonderful multicoloured tapestry Ghosh has woven a story made up of a series of vibrant threads made from a multitude of materials . . . Ghosh has done a masterful job in not only making each of his characters fascinating studies and interesting people to spend time with, he has also managed to bring the strange exotic world of the foreign enclave in Canton vividly alive . . . While Ghosh's descriptive abilities allow us to create intricate portraits of people and locations, it's his agility with languages which gives River Of Smoke an extra level of verisimilitude . From the strange mix of words spoken by the family in the opening pages of the book, the scattering of pidgin appearing like exotic fruit in amongst the bland English of the trader's everyday speech, the conversations between the merchants and their Chinese partners, to the bombastic rhetoric of the ardent British free traders, each person we meet is given a voice as unique as their character and a language or dialect to match . . . River Of Smoke is a wonderful mixture of people, places and story that captures a moment in history like an insect snared in amber . All the details are there for the reader to see and appreciate., Ghosh sets the second volume of his Ibis trilogy in 1838, appropriately enough, because at heart he's a 19th-century novelist with a sweeping vision of character and culture… Ghosh triumphs both through the clarity of his style and the sweep of his vision , and he leaves the reader eager for volume three., Ghosh's best and most ambitious work yet . . . [He] writes with impeccable control, and with a vivid and sometimes surprising imagination., No writer in modern India has held a novelistic lamp to the subcontinent's densely thicketed past as vividly and acutely as Amitav Ghosh . . . River of Smoke , the second volume of his ambitious Ibis trilogy, is the work of a writer with a historical awareness and an appetite for polyphony that are equal to the immense demands of the material he seeks to illuminate . . . Evenly written and engaging . . . The force of Ghosh's ideas and the beauty of his tableaus of Canton are two of the book's achievement s; the semantic ripples of the variety of dialects he folds into the narration are a third. River of Smoke is both a stirring portrayal of the past and, novelistically, a prescient beacon for the future ., Eloquent . . . Fascinating . . . [ River of Smoke 's] strength lies in how thoroughly Ghosh fills out his research with his novelistic fantasy, seduced by each new situation that presents itself and each new character, so that at their best the scenes read with a sensual freshness as if they were happening now.
Dewey Edition
22
Series Volume Number
2
Dewey Decimal
823/.914
Synopsis
A Washington Post Notable Fiction Book for 2011 The Ibis , loaded to its gunwales with a cargo of indentured servants, is in the grip of a cyclone in the Bay of Bengal; among the dozens flailing for survival are Neel, the pampered raja who has been convicted of embezzlement; Paulette, the French orphan masquerading as a deck-hand; and Deeti, the widowed poppy grower fleeing her homeland with her lover, Kalua. The storm also threatens the clipper ship Anahita , groaning with the largest consignment of opium ever to leave India for Canton. And the Redruth , a nursery ship, carries Frederick "Fitcher" Penrose, a horticulturist determined to track down the priceless treasures of China that are hidden in plain sight: its plants that have the power to heal, or beautify, or intoxicate. All will converge in Canton's Fanqui-town, or Foreign Enclave: a tumultuous world unto itself where civilizations clash and sometimes fuse. It is a powder keg awaiting a spark to ignite the Opium Wars. Spectacular coincidences, startling reversals of fortune, and tender love stories abound. But this is much more than an irresistible page-turner. The blind quest for money, the primacy of the drug trade, the concealment of base impulses behind the rhetoric of freedom: in River of Smoke the nineteenth and twenty-first centuries converge, and the result is a consuming historical novel with powerful contemporary resonance. Critics praised Sea of Poppies for its vibrant storytelling, antic humor, and rich narrative scope; now Amitav Ghosh continues the epic that has charmed and compelled readers all over the globe.
LC Classification Number
PR9499.3.G536R58

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