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AUSGEWÄHLTE GEDICHTE (WESLEYANISCHE POESIESERIE) von Harvey Shapiro *Top Zustand*-
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eBay-Artikelnr.:335389586847
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 081952252X
- EAN
- 9780819522528
- Publication Name
- Wesleyan University Press
- Type
- Paperback
- ISBN
- 9780819522528
- Book Title
- Selected Poems
- Item Length
- 1in
- Publisher
- Wesleyan University Press
- Publication Year
- 1997
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.3in
- Genre
- Poetry
- Topic
- General
- Item Width
- 1in
- Item Weight
- 4.8 Oz
- Number of Pages
- 250 Pages
Über dieses Produkt
Product Information
An award-winning gathering of exquisite poems by a celebrated poet. Winner of the Pulitzer Prize for Poetry (1992) Winner of the William Carlos Williams Award (1992) The Selected Poems James Tate's Pulitzer Prize-winning collection and his first British publication, gathers work from nine previous books, from the Lost Pilot which was a Yale Younger Poets selection in 1967, through his 1986 collection Reckoner. He is a most agile poet in a precarious world. Life is alarming and absurd, but properly considered that absurdity reveals, often with laughter, the something else by which we live. The poems are about our world, our wrecked, vexed love for it. Tate has been described as a surrealist. If that is what he is, his surrealism issues in a vision of a world delivered back to itself by his unillusioned subversion and candor.
Product Identifiers
Publisher
Wesleyan University Press
ISBN-10
081952252x
ISBN-13
9780819522528
eBay Product ID (ePID)
28038712817
Product Key Features
Book Title
Selected Poems
Format
Trade Paperback
Language
English
Topic
General
Publication Year
1997
Genre
Poetry
Number of Pages
250 Pages
Dimensions
Item Length
1in
Item Height
0.3in
Item Width
1in
Item Weight
4.8 Oz
Additional Product Features
Lc Classification Number
Ps3537.H264a6 1997
Reviews
"Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness." --Hayden Carruth, The Nation "Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving."--Samuel French Morse, New York Times Book Review, "Working within the conventions of alienation and isolation, [Shapiro develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving." -Samuel French Morse, New York Times Book Review, "Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness." ÑHayden Carruth, The Nation, "Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness." -Hayden Carruth, The Nation, Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving., "...he has the rare ability to be very, very funny on the page..."-- New York Times Book Review "This volume performs a valuable service by drawing together the best of Tate's work from many individual collections, some of them now quite rare. It allows us finally to take the measure of his genius: passionate, humane, funny, tragic, and always surprising and mind-delighting. Not unexpectedly, it confirms his standing as one of the finest voices of his generation--John Ashbery. A poet of mad wit and stunning anecdote. Tate is now in the fullness of his powers. A volume not to be missed"--Julian Moynahan "Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness."--Hayden Carruth, The Nation "Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving."--Samuel French Morse, New York Times Book Review, "Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness." --Hayden Carruth, The Nation, "Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving." -Samuel French Morse, New York Times Book Review, Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness., "Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving." --Samuel French Morse, New York Times Book Review, "This volume performs a valuable service by drawing together the best of Tate's work from many individual collections, some of them now quite rare. It allows us finally to take the measure of his genius: passionate, humane, funny, tragic, and always surprising and mind-delighting. Not unexpectedly, it confirms his standing as one of the finest voices of his generation--John Ashbery. A poet of mad wit and stunning anecdote. Tate is now in the fullness of his powers. A volume not to be missed"--Julian Moynahan ""Anthropologist, editor, critic and translator, Nathaniel Tarn is above all a poet. Poetry is at the center of his personality and his activity. His work, in full growth, reveals a rich temperament, a remarkable linguistic inventiveness and a vision both original and universal.""--Octavio Paz, recipient of the 1990 Nobel Prize of Literature "Ignatow's poems grow right out of the American concrete like ginkgo and ailanthus treesThere is an excitement that grows on one in his sober truthfulness and the beautiful simplicity of his language and rhythms."--Denise Levertov "allows us finally to take the measure of his genius: passionate, humane, funny, tragic, and always surprising and mind-delighting."--John Ashbery ""Despite that many have been hard to find, Tarn's books have inspired a wild, almost religious devotion among readers. Long anticipated, The Selected Poems is a tremendous force field in which world and perception collaborate in innovative formal 'architextures,' a language that has no like.""--Forrest Gander, author of Torn Awake, "Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving." ÑSamuel French Morse, New York Times Book Review, "...he has the rare ability to be very, very funny on the page..."-- New York Times Book Review "Shapiro writes in sardonic reverence . . . His poetry is a 'practical use / Of mysterious names.' It is modest, usually simple, but precise, courageous, and unflinching in its sadness."--Hayden Carruth, The Nation "Working within the conventions of alienation and isolation, [Shapiro] develops a quietly distinctive and forceful idiom . . . Pre-figured in the earlier poems on Jewish and Old Testament themes, and developed in increasingly flexible forms, he makes good his ironic claim of 'praise [of] an age that has no monuments.' Because his irony works dramatically, the brief soliloquies he presents in deliberately low-keyed terms are often surprisingly moving."--Samuel French Morse, New York Times Book Review
Table of Content
Acknowledgements Introduction The Heart Summer Power in America Death of a Grandmother Adoration of the moon The Talker Mountain, Fire, Thornbush The Prophet Announces Exodus Aleph A Short History Feast of the Ram's Horn Spirit of Rabbi Nachman Battle Report News of the World Monday Past Time Sunday Morning ABC of Culture Purities Lines for the Ancient Scribe The Night The Six Hundred Thousand Letters National Cold Storage Company For WCW Days and Nights The Light is Sown By the Women's House of Detention Sister River Side Drive Ditty Where I Am Now A Message From Rabbi Nachman Lines for Erwin R. Goodenough (1893-1965) Cross Country For Delmore Schwartz From Martin Buber Through the Boroughs Notes at 46 Riding Westward Saul's Progress Veteran A Gift Like a Beach Muse Poem City Portrait 47th Street Cry of Small Rabbits August Domestic Matters O Seasons A Notebook Musical Shuttle A Realization Lines Things Seen July May City The Wish Learning On a Sunday Brooklyn Heights Cummings Blue Eyes The End A Memorial Saturday Battlements A Jerusalem Notebook Two Cornell Deaths Cynthia These are the Streets Celebrations Questions New York Summer Meditations on a Brooklyn Bench Lower East Side Years Ago Lessons Lit Crit Bible Lesson For Paul Celan and Primo Levi Loyalty On Writing Aubade How it Ended The Defense In Tiberias History What It Feels Like Remembering Epitaph Prague 949 Choices Hart Generations The Ticket Italy,1996 Traveling Trough Ireland
Lccn
9723-000557
Dewey Decimal
811/.52
Intended Audience
Trade
Series
Wesleyan Poetry Ser.
Dewey Edition
21
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