Bild 1 von 1
Wir sind nicht hier, um zu unterhalten: Punk Rock, Ronald Reagan und die echte Kultur Wa..-
Artikelzustand:
“Clean, unmarked pages, minor wear to cover.”
Preis:
US $17,50
Ca.EUR 16,16
- Sofort-KaufenWir sind nicht hier, um zu unterhalten: Punk Rock, Ronald Reagan und die echte Kultur Wa..
Versand:
Standort: Hoboken, New Jersey, USA
Lieferung:
Lieferung zwischen Mi, 29. Mai und Fr, 31. Mai nach 43230 bei heutigem Zahlungseingang
Rücknahmen:
Zahlungen:
Sicher einkaufen
Angaben zum Verkäufer
- 99,5% positive Bewertungen
Angemeldet als gewerblicher Verkäufer
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:305397491803
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Clean, unmarked pages, minor wear to cover.”
- ISBN
- 9780190908232
- Book Title
- We're Not Here to Entertain : Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America
- Item Length
- 5.9in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2020
- Format
- Hardcover
- Language
- English
- Item Height
- 1.4in
- Genre
- Music, History, Political Science
- Topic
- Genres & Styles / Punk, Political Process / Campaigns & Elections, Genres & Styles / Rock, United States / General
- Item Width
- 9.2in
- Item Weight
- 24.7 Oz
- Number of Pages
- 352 Pages, 416 Pages
Über dieses Produkt
Product Information
Many remember the 1980s as the era of Ronald Reagan, a conservative decade populated by preppies and yuppies dancing to a soundtrack of electronic synth pop music. In some ways, it was the "MTV generation." However, the decade also produced some of the most creative works of punk culture, from the music of bands like the Minutemen and the Dead Kennedys to avant-garde visual arts, literature, poetry, and film. In We're Not Here to Entertain, Kevin Mattson documents what Kurt Cobain once called a "punk rock world" - the all-encompassing hardcore-indie culture that incubated his own talent. Mattson shows just how widespread the movement became - ranging across the nation, from D.C. through Ohio and Minnesota to LA - and how democratic it was due to its commitment to Do-It-Yourself (DIY) tactics.Throughout, Mattson puts the movement into a wider context, locating it in a culture war that pitted a blossoming punk scene against the new president. Reagan's talk about end days and nuclear warfare generated panic; his tax cuts for the rich and simultaneous slashing of school lunch program funding made punks, who saw themselves as underdogs, seethe at his meanness. The anger went deep, since punks saw Reagan as the country's entertainer-in-chief; his career, from radio to Hollywood and television, synched to the very world punks rejected. Through deep archival research, Mattson reignites the heated debates that punk's opposition generated in that era-about everything from "straight edge" ethics to anarchism to the art of dissent. By reconstructing the world of punk, Mattson demonstrates that it was more than just a style of purple hair and torn jeans. In so doing, he reminds readers of punk's importance and its challenge to simplistic assumptions about the 1980s as a one-dimensional, conservative epoch.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190908238
ISBN-13
9780190908232
eBay Product ID (ePID)
20038274548
Product Key Features
Book Title
We're Not Here to Entertain : Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America
Format
Hardcover
Language
English
Topic
Genres & Styles / Punk, Political Process / Campaigns & Elections, Genres & Styles / Rock, United States / General
Publication Year
2020
Genre
Music, History, Political Science
Number of Pages
352 Pages, 416 Pages
Dimensions
Item Length
5.9in
Item Height
1.4in
Item Width
9.2in
Item Weight
24.7 Oz
Additional Product Features
Lc Classification Number
Ml3534.3.M385 2020
Reviews
"Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government"Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuseson a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high timesomeone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney"Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith"Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persistsin various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List"Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in thatera. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables"Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review"Absorbing."--AV Club"This is a book worth reading because it has so much direct relevance to American punks operating today... pretty terrific work."--PopMatters"We're Not Here to Entertain is a joy to read, erudite and stimulating, capturing the excitement of creating art and music against the grain."--Jacobin"[An] impassioned new history of punk politics and culture in the 1980s... We're Not Here to Entertain shows how punk taught a new generation of white, middle-class suburban kids to critique US foreign policy or call out the military-industrial complex. The punk world emerges in Mattson's telling as a definitive cultural formation--a successor to the New Left and counterculture of the '60s and the Popular Front of the '30s."--The Nation, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We''re Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, ''It''s high time someone wrote that book''--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in ''83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. ''political punk'' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn''t exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson''s book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan''s ''Morning in America'' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys'' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review "Absorbing."--AV Club "This is a book worth reading because it has so much direct relevance to American punks operating today... pretty terrific work."--PopMatters "We''re Not Here to Entertain is a joy to read, erudite and stimulating, capturing the excitement of creating art and music against the grain."--Jacobin "[An] impassioned new history of punk politics and culture in the 1980s... We''re Not Here to Entertain shows how punk taught a new generation of white, middle-class suburban kids to critique US foreign policy or call out the military-industrial complex. The punk world emerges in Mattson''s telling as a definitive cultural formation--a successor to the New Left and counterculture of the ''60s and the Popular Front of the ''30s."--The Nation, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government"Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List"Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables"Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review "Absorbing."--AV Club"This is a book worth reading because it has so much direct relevance to American punks operating today... pretty terrific work."--PopMatters "We're Not Here to Entertain is a joy to read, erudite and stimulating, capturing the excitement of creating art and music against the grain."--Jacobin"[An] impassioned new history of punk politics and culture in the 1980s... We're Not Here to Entertain shows how punk taught a new generation of white, middle-class suburban kids to critique US foreign policy or call out the military-industrial complex. The punk world emerges in Mattson's telling as a definitive cultural formation--a successor to the New Left and counterculture of the '60s and the Popular Front of the '30s."--The Nation, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review "Absorbing."--AV Club "This is a book worth reading because it has so much direct relevance to American punks operating today... pretty terrific work."--PopMatters "We're Not Here to Entertain is a joy to read, erudite and stimulating, capturing the excitement of creating art and music against the grain."--Jacobin "[An] impassioned new history of punk politics and culture in the 1980s... We're Not Here to Entertain shows how punk taught a new generation of white, middle-class suburban kids to critique US foreign policy or call out the military-industrial complex. The punk world emerges in Mattson's telling as a definitive cultural formation--a successor to the New Left and counterculture of the '60s and the Popular Front of the '30s."--The Nation, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review "Absorbing."--AV Club "This is a book worth reading because it has so much direct relevance to American punks operating today... pretty terrific work."--PopMatters "We're Not Here to Entertain is a joy to read, erudite and stimulating, capturing the excitement of creating art and music against the grain."--Jacobin, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review "Absorbing."--AV Club "This is a book worth reading because it has so much direct relevance to American punks operating today... pretty terrific work."--PopMatters, "Mattson looks at American punk of the early 1980s through excellent scholarship. His work reveals more than a music scene--which itself produced outstanding bands. He also examines anarchist thought, with roots in the nineteenth century, put into practice by youth creating their own way of life. This is a guidebook to a future for people who want it." --Krist Novoselic, founding member of Nirvana and author of Of Grunge and Government "Historian Kevin Mattson trains his eye on the US Hardcore Punk underground during the Reagan years and digs deep into archived fanzines and recordings of the era to shed light on a bunch of kids, scattered around the country, who were disaffected by the predominant culture and desperate to make their own. The good news is that Mattson grew up in this scene and he has a clear understanding of it. We're Not Here to Entertain is a great read that focuses on a vital and largely overlooked time and place in music history. When my friend and fellow Punk Rock War Veteran Steve Turner saw the galley of this book on my kitchen counter, he said, 'It's high time someone wrote that book'--a comment that sparked a discussion about Mr. Epp playing with Really Red at the Metropolis in '83, or was it Savage Republic at the Ground Zero Art Gallery, maybe it was Solger opening for Black Flag with Dez on vocals in 1980..."--Mark Arm, lead singer of Mudhoney "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s."--Vic Bondi, founding member of Articles of Faith "Authored by a co-founder of the D.C. 'political punk' organization Positive Force, this valuable book sheds light on the dynamics underlying the complex interrelationship between a mostly oppositional 1980s punk counterculture and the more conservative mainstream (including the corrupt corporate music industry). The punks may not have won their cultural battle against such a powerful Goliath. But by creating a viable underground alternative that still persists in various forms today, they didn't exactly lose, either." --Jeffrey Bale, Middlebury College; author of The Darkest Sides of Politics and former co-editor of Maximumrocknroll and Hit List "Among the many virtues of Kevin Mattson's book is the way it shows how millions of American youth found each other in their local punk scenes and contested President Reagan's 'Morning in America' bullshit. This was not merely political posturing; as Mattson demonstrates, early 1980s punk political thinking was serious and sophisticated. Mattson--a punk politico himself in Washington at the time--takes seriously the political potency of punk dissenters in that era. And guess what? In this new age of political polarization, they still have something to teach us."--Michael Foley, author of Dead Kennedys' Fresh Fruit for Rotting Vegetables "Consistently fascinating... Fans of T.S.O.L., Fargo Rock City, Scratch Acid, and their like should rush to this invigorating history."--Kirkus, Starred Review "Absorbing."--AV Club
Table of Content
Preface: "From memory to history" Prelude: "When Punk Broke and Opened" (1979-1980) Chapter 1. "'Teeny Punks:' Pioneer Your 'Own Culture!'" (1980-1981) Chapter 2. "It can and will happen everywhere" (1982-1983) Chapter 3. "It's 1984!" (1984) Chapter 4. "Marching Towards the 'Alternative'" (1985-?) Conclusion: "punk breaks again"
Copyright Date
2020
Lccn
2019-044699
Dewey Decimal
306.484260973
Intended Audience
Trade
Dewey Edition
23
Artikelbeschreibung des Verkäufers
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:305397491803
Verpackung und Versand
Artikelstandort:
Hoboken, New Jersey, USA
Versand nach:
Afghanistan, Albanien, Algerien, Andorra, Angola, Anguilla, Antigua und Barbuda, Argentinien, Armenien, Aruba, Aserbaidschan, Australien, Bahamas, Bahrain, Bangladesch, Belgien, Belize, Benin, Bermuda, Bhutan, Bolivien, Bosnien und Herzegowina, Botsuana, Brasilien, Brunei Darussalam, Bulgarien, Burkina Faso, Burundi, Chile, China, Costa Rica, Côte d'Ivoire (Elfenbeinküste), Demokratische Republik Kongo, Deutschland, Dominikanische Republik, Dschibuti, Dänemark, Ecuador, El Salvador, Eritrea, Estland, Fidschi, Finnland, Frankreich, Gabun, Gambia, Georgien, Ghana, Gibraltar, Grenada, Griechenland, Grönland, Guatemala, Guinea, Guinea-Bissau, Guyana, Haiti, Honduras, Hongkong, Indien, Indonesien, Irland, Island, Israel, Italien, Jamaika, Japan, Jemen, Jordanien, Kaimaninseln, Kambodscha, Kamerun, Kanada, Kapverdische Inseln, Kasachstan, Katar, Kenia, Kirgisistan, Kiribati, Kolumbien, Kuwait, Laos, Lesotho, Lettland, Libanon, Liberia, Liechtenstein, Litauen, Luxemburg, Macau, Madagaskar, Malawi, Malaysia, Malediven, Mali, Malta, Marokko, Mauretanien, Mauritius, Mazedonien, Mexiko, Moldawien, Monaco, Mongolei, Montenegro, Montserrat, Mosambik, Namibia, Nauru, Nepal, Neuseeland, Nicaragua, Niederlande, Niger, Nigeria, Norwegen, Oman, Pakistan, Panama, Papua-Neuguinea, Paraguay, Peru, Philippinen, Polen, Portugal, Republik Kongo, Republik Kroatien, Ruanda, Rumänien, Salomonen, Sambia, Samoa (Westsamoa), San Marino, Saudi-Arabien, Schweden, Schweiz, Senegal, Serbien, Seychellen, Sierra Leone, Simbabwe, Singapur, Slowakei, Slowenien, Spanien, Sri Lanka, St. Kitts und Nevis, St. Lucia, St. Vincent und die Grenadinen, Suriname, Swasiland, Südafrika, Südkorea, Tadschikistan, Taiwan, Tansania, Thailand, Togo, Tonga, Trinidad und Tobago, Tschad, Tschechische Republik, Tunesien, Turkmenistan, Turks- und Caicosinseln, Türkei, USA, Uganda, Ungarn, Uruguay, Usbekistan, Vanuatu, Vatikan, Vereinigte Arabische Emirate, Vereinigtes Königreich, Vietnam, Wallis und Futuna, Zentralafrikanische Republik, Zypern, Ägypten, Äquatorialguinea, Äthiopien, Österreich
Ausgeschlossen:
Barbados, Französisch-Guayana, Französisch-Polynesien, Guadeloupe, Libyen, Martinique, Neukaledonien, Russische Föderation, Réunion, Ukraine, Venezuela
| Verpackung und Versand | Nach | Service | Lieferung*Siehe Lieferhinweise |
|---|---|---|---|
| US $3,97 (ca. EUR 3,67) | USA | Sparversand (USPS Media MailTM) | Lieferung zwischen Mi, 29. Mai und Fr, 31. Mai nach 43230 |
| US $6,99 (ca. EUR 6,46) | USA | Expressversand (USPS Priority Mail®) | Lieferung zwischen Mi, 29. Mai und Fr, 31. Mai nach 43230 |
| Bearbeitungszeit |
|---|
| Der Verkäufer verschickt den Artikel innerhalb von 2 Werktagen nach Zahlungseingang. |
| Steuern |
|---|
| An der Kasse fallen ggf. Steuern an. Mehr erfahrenMehr erfahren zu Steuern auf eBay-Käufe. |
Mehrwertsteuer für diesen Artikel #305397491803
Mehrwertsteuer für diesen Artikel #305397491803
Der Verkäufer berechnet Mehrwertsteuer für Artikel, die in die folgenden Bundesstaaten verschickt werden:
| Bundesstaat | Steuersatz für Sales Tax |
|---|
Rücknahmebedingungen
| Frist für Kontaktaufnahme mit dem Verkäufer nach Erhalt Artikels: | Rückerstattung erfolgt in folgender Form: | Rücksendung |
|---|---|---|
| 30 Tage | Geld zurück | Käufer zahlt Rückversand |
Der Käufer trägt die Rücksendekosten.
| Rücknahmebedingungen im Detail |
|---|
| Rücknahme akzeptiert |
Zahlungsdaten
Zahlungsmethoden
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (3.948)
i***a (379)- Bewertung vom Käufer.
Letzter Monat
Bestätigter Kauf
Thank you for both pricing and quick shipping. I'll keep an eye on your store. This is also a great album. :)
u***q (496)- Bewertung vom Käufer.
Letzter Monat
Bestätigter Kauf
Great buy
-***j (2118)- Bewertung vom Käufer.
Letzter Monat
Bestätigter Kauf
Easy transaction and buying experience. No problems. Thank you.
Noch mehr entdecken:
- Rock Zeitschriften,
- The Face Zeitschriften,
- Pop Rock Zeitschriften,
- Deutsche Rock Zeitschriften,
- Rock Guitar Zeitschriften,
- Monatliche Zeitschriften über Rock,
- Rock Heavy Metal Zeitschriften,
- Monatliche Zeitschriften Guitar Rock,
- Masters of the Universe Jugendliche Hörbücher und Hörspiele,
- Erwachsene Masters of the Universe Hörbücher und Hörspiele