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Bild 1 von 15
Ukiyo-E Master Ser.: Das Auge der Gräueltat: Supergewalttätige Kunst von Yoshitoshi-
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eBay-Artikelnr.:266094183819
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781840683059
- Book Title
- Eye of Atrocity : Superviolent Art by Yoshitoshi
- Book Series
- Ukiyo-E Master Ser.
- Publisher
- Scb Distributors
- Item Length
- 11 in
- Publication Year
- 2012
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.5 in
- Genre
- Art
- Topic
- Individual Artists / General, Asian / Japanese, General, Prints, History / General
- Item Weight
- 15 oz
- Item Width
- 8.5 in
- Number of Pages
- 120 Pages
Über dieses Produkt
Product Identifiers
Publisher
Scb Distributors
ISBN-10
1840683058
ISBN-13
9781840683059
eBay Product ID (ePID)
117219166
Product Key Features
Book Title
Eye of Atrocity : Superviolent Art by Yoshitoshi
Number of Pages
120 Pages
Language
English
Publication Year
2012
Topic
Individual Artists / General, Asian / Japanese, General, Prints, History / General
Illustrator
Yes
Genre
Art
Book Series
Ukiyo-E Master Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
15 oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
23
Series Volume Number
Volume 2
Dewey Decimal
769.92
Synopsis
Tsukioka Yoshitoshi, apprenticed to ukiyo-e master Kuniyoshi since his adolescence, was twenty years old when he first began to make sketches of severed heads and dismembered corpses. Soon he would start to incorporate this imagery into his work, and his vivid and bloody battle scenes quickly caught the public eye. All of Yoshitoshi's ukiyo-e series between 1863 and 1870 would include a quantity of his trademark scenes of carnage, in particular Eimei Nijuhasshuku (1866-68), a collaboration with fellow artist Ochiai Yoshiiku. Sometimes referred to as "The Sadistic Collection Of Blood," this series was an unashamed exercise in atrocity which took the concept of muzan-e ("cruelty prints") to new extremes of violence and gore. In 1868, Yoshitoshi was a first-hand witness to the Battle of Ueno, a cataclysmic clash which further inspired him to create new images of evisceration and decapitation. THE EYE OF ATROCITY, edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology "Dream Spectres"), collects and considers over 80 of the most blood-drenched and disturbing artworks produced by Yoshitoshi during his career, presented in large-format and full-colour throughout. Second in a dynamic new series presenting the cutting edge of 19th century Japanese art., Tsukioka Yoshitoshi, apprenticed to ukiyo-e master Kuniyoshi since his adolescence, was twenty years old when he first began to make sketches of severed heads and dismembered corpses. Soon he would start to incorporate this imagery into his work, and his vivid and bloody battle scenes quickly caught the public eye. All of Yoshitoshi's ukiyo-e series between 1863 and 1870 would include a quantity of his trademark scenes of carnage, in particular Eimei Nijuhasshuku (1866-68), a collaboration with fellow artist Ochiai Yoshiiku. Sometimes referred to as "The Sadistic Collection Of Blood", this series was an unashamed exercise in atrocity which took the concept of muzan-e ("cruelty prints") to new extremes of violence and gore. In 1868, Yoshitoshi was a first-hand witness to the Battle of Ueno, a cataclysmic clash which further inspired him to create new images of evisceration and decapitation.THE'e^EYE'e^OF'e^ATROCITY, edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology "Dream Spectres"), collects and considers over 80 of the most blood-drenched and disturbing artworks produced by Yoshitoshi during his career, presented in large-format and full-colour throughout. Second in a dynamic new series presenting the cutting edge of 19th century Japanese art., Tsukioka Yoshitoshi, apprenticed to ukiyo-e master Kuniyoshi since his adolescence, was twenty years old when he first began to make sketches of severed heads and dismembered corpses. Soon he would start to incorporate this imagery into his work, and his vivid and bloody battle scenes quickly caught the public eye. All of Yoshitoshi's ukiyo-e series between 1863 and 1870 would include a quantity of his trademark scenes of carnage, in particular Eimei Nijuhasshuku (1866-68), a collaboration with fellow artist Ochiai Yoshiiku. Sometimes referred to as "The Sadistic Collection Of Blood", this series was an unashamed exercise in atrocity which took the concept of muzan-e ("cruelty prints") to new extremes of violence and gore. In 1868, Yoshitoshi was a first-hand witness to the Battle of Ueno, a cataclysmic clash which further inspired him to create new images of evisceration and decapitation. THEe EYEe OFe ATROCITY, edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology "Dream Spectres"), collects and considers over 80 of the most blood-drenched and disturbing artworks produced by Yoshitoshi during his career, presented in large-format and full-colour throughout. Second in a dynamic new series presenting the cutting edge of 19th century Japanese art.
LC Classification Number
NE773
Artikelbeschreibung des Verkäufers
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