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Underdog: Gedichte von Roberts, Katrina-
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eBay-Artikelnr.:196387761469
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780295993355
- Book Title
- Underdog : Poems
- Book Series
- Pacific Northwest Poetry Ser.
- Publisher
- University of Washington Press
- Item Length
- 8.9 in
- Publication Year
- 2013
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.3 in
- Genre
- Poetry
- Topic
- General
- Item Weight
- 4.8 Oz
- Item Width
- 5.6 in
- Number of Pages
- 96 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Washington Press
ISBN-10
0295993359
ISBN-13
9780295993355
eBay Product ID (ePID)
160103816
Product Key Features
Book Title
Underdog : Poems
Number of Pages
96 Pages
Language
English
Topic
General
Publication Year
2013
Genre
Poetry
Book Series
Pacific Northwest Poetry Ser.
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
4.8 Oz
Item Length
8.9 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"These poems have all the instinct and fangs of a canine, and the plush, electric fur of a wolf . . . Poets seeking to write poems that tell narratives in a new way . . . would be wise to read this book." - Sean Singer, The Rumpus "The poetry, though infused with compassion for beings caught between rocks and hard places, doesn't plead their case in abstractions, but pinpoints the heartrending details of their predicaments." -Craig Lambert, Harvard Magazine
Dewey Edition
23
Grade From
College Graduate Student
Number of Volumes
1 vol.
Dewey Decimal
811.6
Synopsis
In Underdog , poet Katrina Roberts draws on wide-ranging historical and cultural sources to consider questions of identity, to ask us to meditate on how each of us is "other" - native, immigrant, sojourner, alien - and to examine our at-once shared and foreign frontiers and margins. Throughout the book, the writer's "home" becomes a palimpsest of characters erased and resurrected. In boldly inventive poems, she addresses the lives of Chinese immigrants, the appeal of African Dogon tribal lore, the heroics and defeats of artists, canine astronauts, and Mexican farm laborers, to name just a few.Dramatic and lyrical, many poems become repositories for spells, memories, and tales. Here landscapes are faces to be studied and memorized; forgotten and overlooked legends and objects (whether quotidian, pop-cultural, ancient, or obscure), as well as characters from this planet and beyond, are retrieved and acknowledged. Other poems are concise prismatic shards, refracting and seeking specific meaning and even beauty in a world that is often both unpredictable and inscrutable. All are stitched together with unflinching compassion and a keen desire to bear witness, to comprehend something of the self's relevance in a global context.The poems, often meticulously researched, are elaborate matrices of associations, translations, re-imaginings. Age-old mind-body questions emerge: how did we get here, these poems ask urgently, and in what ways will we carry on? What does it mean "to be" and "to belong" in times of crisis? They wonder at how individuals through the ages have handled, often with grace, tremendous injustice, and they seek to comprehend the mysteries of our perpetual migrations away from and toward each other.Their Flight is Practically SilentHe says one thing meaningits opposite. Before water starts to run,an ache in the jaw leaves mespeechless. A packet of photos: each face has beencut out. This one: me, a child holding a waferof sky - a robin's egg. They used to say you haveher eyes. Another: wrists slashedby light, lifted to offer the world a melon, caught uphair in a twist off the shoulders, the neck,my neck - impossible and elegant - a swan's.Such grace shocks me. Who is this? That nightbefore the baby died: barn owls calling acrossthe creek. Did he say: Hear them? Neverto be born at all; some peoplewould say not even a baby, not "viable."A small sound - sizzle of baconcurling on a flat black pan, unseen. His armsre-crossed. And this vesselmade of ash, this monument risingfrom dust? I didn't want any of it and I said so., In Underdog , poet Katrina Roberts draws on wide-ranging historical and cultural sources to consider questions of identity, to ask us to meditate on how each of us is "other" - native, immigrant, sojourner, alien - and to examine our at-once shared and foreign frontiers and margins. Throughout the book, the writer's "home" becomes a palimpsest of characters erased and resurrected. In boldly inventive poems, she addresses the lives of Chinese immigrants, the appeal of African Dogon tribal lore, the heroics and defeats of artists, canine astronauts, and Mexican farm laborers, to name just a few. Dramatic and lyrical, many poems become repositories for spells, memories, and tales. Here landscapes are faces to be studied and memorized; forgotten and overlooked legends and objects (whether quotidian, pop-cultural, ancient, or obscure), as well as characters from this planet and beyond, are retrieved and acknowledged. Other poems are concise prismatic shards, refracting and seeking specific meaning and even beauty in a world that is often both unpredictable and inscrutable. All are stitched together with unflinching compassion and a keen desire to bear witness, to comprehend something of the self's relevance in a global context. The poems, often meticulously researched, are elaborate matrices of associations, translations, re-imaginings. Age-old mind-body questions emerge: how did we get here, these poems ask urgently, and in what ways will we carry on? What does it mean "to be" and "to belong" in times of crisis? They wonder at how individuals through the ages have handled, often with grace, tremendous injustice, and they seek to comprehend the mysteries of our perpetual migrations away from and toward each other. Their Flight is Practically Silent He says one thing meaning its opposite. Before water starts to run, an ache in the jaw leaves me speechless. A packet of photos: each face has been cut out. This one: me, a child holding a wafer of sky - a robin's egg. They used to say you have her eyes. Another: wrists slashed by light, lifted to offer the world a melon, caught up hair in a twist off the shoulders, the neck, my neck - impossible and elegant - a swan's. Such grace shocks me. Who is this? That night before the baby died: barn owls calling across the creek. Did he say: Hear them? Never to be born at all; some people would say not even a baby, not "viable." A small sound - sizzle of bacon curling on a flat black pan, unseen. His arms re-crossed. And this vessel made of ash, this monument rising from dust? I didn't want any of it and I said so.
LC Classification Number
PS3568.O23875
Copyright Date
2013
ebay_catalog_id
4
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