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Romanisierung des Volkes: Öffentliches Gedächtnis und amerikanische Wurzelmusik (Kulturwissenschaften - Bild 1 von 1
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Romanisierung des Volkes: Öffentliches Gedächtnis und amerikanische Wurzelmusik (Kulturwissenschaften -

Ursprünglicher Text
Romancing the Folk: Public Memory and American Roots Music (Cultural Studies of
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Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ist aber in seiner Gesamtheit noch intakt. Die Bindung ist möglicherweise leicht beschädigt, in ihrer Gesamtheit aber noch intakt. In den Randbereichen wurden evtl. Notizen gemacht, der Text kann Unterstreichungen und Markierungen enthalten, es fehlen aber keine Seiten und es ist alles vorhanden, was für die Lesbarkeit oder das Verständnis des Textes notwendig ist. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“Inscription inside book cover/Presented to page filled out”
ISBN
9780807825501
EAN
9780807825501
Book Title
Romancing the Folk : Public Memory and American Roots Music
Book Series
Cultural Studies of the United States Ser.
Publisher
University of North Carolina Press
Item Length
9.2 in
Publication Year
2000
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1 in
Author
Benjamin Filene
Genre
Music, Social Science
Topic
History & Criticism, Genres & Styles / Folk & Traditional, General, Popular Culture, Genres & Styles / Pop Vocal
Item Weight
3 Oz
Item Width
6.1 in
Number of Pages
344 Pages

Über dieses Produkt

Product Identifiers

Publisher
University of North Carolina Press
ISBN-10
0807825506
ISBN-13
9780807825501
eBay Product ID (ePID)
1586197

Product Key Features

Book Title
Romancing the Folk : Public Memory and American Roots Music
Number of Pages
344 Pages
Language
English
Publication Year
2000
Topic
History & Criticism, Genres & Styles / Folk & Traditional, General, Popular Culture, Genres & Styles / Pop Vocal
Illustrator
Yes
Genre
Music, Social Science
Author
Benjamin Filene
Book Series
Cultural Studies of the United States Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
3 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
99-054367
Reviews
Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song.New York Times Book Review, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. Creative Loafing, A fascinating history of the shifting notions of what constitutes American folk music. New York Times Book Review, Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song. New York Times Book Review, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context.Creative Loafing
Dewey Edition
21
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["SOCIAL SCIENCE","MUSIC"],"Topic":["General","Popular Culture","History & Criticism","Genres & Styles / Pop Vocal","Genres & Styles / Folk & Traditional"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Dewey Decimal
781.62/13/00904
Synopsis
Benjamin Filene examines the competing visions of America's musical past--and the cultural middlemen who shaped these visions--that have vied for influence over the public imagination in this century. This book brings to light the relationship between folk or roots music and popular culture., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century. Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music. Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.Filene builds his story around a fascinating group of characters—folklorists, record company executives, producers, radio programmers, and publicists—who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music—from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today.
LC Classification Number
99-054367 [ML]
Copyright Date
2000
ebay_catalog_id
4

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