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Vito Acconci: Tagebuch eines Körpers, 1969 -1973 von Vito Acconci (2004, Handel...-

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Vito Acconci : Diary of a Body, 1969 -1973 by Vito Acconci (2004, Trade...
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Ex-College Library book with some library stamps in it. Otherwise in very good condition.
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Hinweise des Verkäufers
“Ex-College Library book with some library stamps in it. Otherwise in very good condition.”
ISBN
9788881584772
Book Title
Vito Acconci : Diary of a Body, 1969 -1973
Publisher
Charta
Item Length
11 in
Publication Year
2004
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
1.4 in
Author
Vito Acconci
Genre
Art
Topic
Individual Artists / General, General
Item Weight
74.6 Oz
Item Width
8.2 in
Number of Pages
396 Pages

Über dieses Produkt

Product Identifiers

Publisher
Charta
ISBN-10
8881584778
ISBN-13
9788881584772
eBay Product ID (ePID)
30786541

Product Key Features

Book Title
Vito Acconci : Diary of a Body, 1969 -1973
Number of Pages
396 Pages
Language
English
Publication Year
2004
Topic
Individual Artists / General, General
Illustrator
Yes
Genre
Art
Author
Vito Acconci
Format
Trade Paperback

Dimensions

Item Height
1.4 in
Item Weight
74.6 Oz
Item Length
11 in
Item Width
8.2 in

Additional Product Features

Intended Audience
Trade
LCCN
2007-415179
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
709.2
Synopsis
Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. Whether he was transforming space by masturbating under a platform extension of the gallery floor or transforming the body by tucking his genitals between his legs, Acconci promoted a radical, corporeal method of working with the human presence that has remained relevant in these less performative times. This publication traces the development of Acconci's early work through his own writings and documentations from that time. Rather than a critical study, it offers invaluable primary source materials: For each of the approximately 200 performances/works included, Acconci drafted meticulous notes, mapping out his ideas and describing the specifications of each piece. Many of the artist's works were ephemeral performances and actions, and these primary source materials are now the only extant artifacts from the work. Thus the book's contents come directly from Acconci's personal archives, and include his notes and documentations, plus photographs, where available. An introduction by Gregory Volk provides historical context and addresses the issues of body art and performance still relevant today., Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical canon of the time. Whether he was transforming space by masturbating under a platform extension of the gallery floor or transforming the body by tucking his genitals between his legs, Acconci promoted a radical, corporeal method of working with the human presence that has remained relevant in these less performative times. This publication traces the development of Acconci's early work through his own writings and documentations from that time. Rather than a critical study, it offers invaluable primary source materials: For each of the approximately 200 performances/works included, Acconci drafted meticulous notes, mapping out his ideas and describing the specifications of each piece. Many of the artist's works were ephemeral performances and actions, and these primary source materials are now the only extant artifacts from the work. Thus the book's contents come directly from Acconci's personal archives, and include his notes and documentations, plus photographs, where available. An introduction by Gregory Volk provides historical context and addresses the issues of body art and performance still relevant today., "Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. Whether he was transforming space by masturbating under a platform extension of the gallery floor or transforming the body by tucking his genitals between his legs, Acconci promoted a radical, corporeal method of working with the human presence that has remained relevant in these less performative times. This publication traces the development of Acconci's early work through his own writings and documentations from that time. Rather than a critical study, it offers invaluable primary source materials: For each of the approximately 200 performances/works included, Acconci drafted meticulous notes, mapping out his ideas and describing the specifications of each piece. Many of the artist's works were ephemeral performances and actions, and these primary source materials are now the only extant artifacts from the work. Thus the book's contents come directly from Acconci's personal archives, and include his notes and documentations, plus photographs, where available. An introduction by Gregory Volk provides historical context and addresses the issues of body art and performance still relevant today." "The works of Vito Acconci are more often than not about creating a public space via the body-from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci studio at the end of the eighties. Between 1969 and 1973, his creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. This publication is a monumental and historical recount of the artist's itinerary from his first artistic stage as a poet, writer, video and body artist to his recognition today as a ground-breaking architect from 1969 to 1973. It traces the development of Acconci's early work through his own writings and documentations from that time and offers invaluable primary source materials. Each of the approximately 200 performances/works included are accompanied by Acconci's meticulous drafted notes."--BOOK JACKET.
LC Classification Number
NX512

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