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The Filmmaker's Eye: Learning (and - Paperback, by Mercado Gustavo - Acceptable
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Artikelmerkmale
- Artikelzustand
- Book Title
- The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinemat
- ISBN
- 9780240812175
- Subject Area
- Photography, Performing Arts
- Publication Name
- Filmmaker's Eye : Learning (And Breaking) the Rules of Cinematic Composition
- Item Length
- 9 in
- Publisher
- Routledge
- Subject
- Film / General, Film / Direction & Production, Techniques / Cinematography & Videography
- Publication Year
- 2010
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Item Width
- 9 in
- Item Weight
- 18.6 Oz
- Number of Pages
- 192 Pages
Über dieses Produkt
Product Information
This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted
Product Identifiers
Publisher
Routledge
ISBN-10
0240812174
ISBN-13
9780240812175
eBay Product ID (ePID)
92533138
Product Key Features
Publication Name
Filmmaker's Eye : Learning (And Breaking) the Rules of Cinematic Composition
Format
Trade Paperback
Language
English
Subject
Film / General, Film / Direction & Production, Techniques / Cinematography & Videography
Publication Year
2010
Type
Textbook
Subject Area
Photography, Performing Arts
Number of Pages
192 Pages
Dimensions
Item Length
9 in
Item Height
0.4 in
Item Width
9 in
Item Weight
18.6 Oz
Additional Product Features
Lc Classification Number
Pn1995
Reviews
Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons.- Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink, "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer (The Devil Wears Prada, Marley and Me, Flightplan), "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." -Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection." - Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story." - Christianity Today "This is one of those rare filmmaking books that delivers more than its title promises. The Filmmaker's Eye is about a lot more than just 'the rules of composition': it's a beautifully illustrated, systematic guide to the visual language of film." - Learn About Film (www.learnaboutfilm.com), Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons. - Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story. - Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan, "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer (The Devil Wears Prada, Marley and Me, Flightplan) "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." - Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink, "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons."--Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story."--Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection."--Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story."--Christianity Today, "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer (The Devil Wears Prada, Marley and Me, Flightplan) "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." - Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink, "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." -Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection." - Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story." - Christianity Today "This is one of those rare filmmaking books that delivers more than its title promises. The Filmmaker's Eye is about a lot more than just 'the rules of composition': it's a beautifully illustrated, systematic guide to the visual language of film." - Learn About Film (www.learnaboutfilm.com) , "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer (The Devil Wears Prada, Marley and Me, Flightplan)"Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." - Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink, "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." -Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection."- Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story."-Christianity Today "This is one of those rare filmmaking books that delivers more than its title promises. The Filmmaker's Eyeis about a lot more than just 'the rules of composition': it's a beautifully illustrated, systematic guide to the visual language of film."- Learn About Film (www.learnaboutfilm.com) atographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection."- Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story."-Christianity Today "This is one of those rare filmmaking books that delivers more than its title promises. The Filmmaker's Eyeis about a lot more than just 'the rules of composition': it's a beautifully illustrated, systematic guide to the visual language of film."- Learn About Film (www.learnaboutfilm.com) utifully illustrated, systematic guide to the visual language of film."- Learn About Film (www.learnaboutfilm.com), "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons." -Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story." - Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection."- Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story."-Christianity Today "This is one of those rare filmmaking books that delivers more than its title promises. The Filmmaker's Eyeis about a lot more than just 'the rules of composition': it's a beautifully illustrated, systematic guide to the visual language of film."- Learn About Film (www.learnaboutfilm.com) , "Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons."--Bruce Block, film producer, author of The Visual Story, and visual consultant whose credits include The Holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink "Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story."--Florian Ballhaus, cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan "From understanding shot types and how and why they work to visual rules, technical considerations, and when to break the rules, this packs in practical considerations that will prove key to any filmmaking collection."--Bookwatch "While Mercado's book is perhaps more for people who are serious about filmmaking, it has helped me understand the importance of knowing all the different angles from which one might possibly frame the exact same moment of the story, and how to decide on the one that most perfectly aids the story."-- Christianity Today
Table of Content
acknowledgments xi introdution xiii finding the frame 1 principles of composition and technique concepts 6 image system 21 extreme close up 29 close up 35 medium close up 41 medium shot 47 medium long shot 53 long shot 59 extreme long shot 65 over the shoulder shot 71 establshing shot 77 subjective shot 83 two shot 89 group shot 95 canted shot 101 emblematic shot 107 abstract shot 113 macro shot 119 zoom shot 125 pan shot 131 tilt shot 137 dolly shot 143 dolly zoom shot 149 tracking shot 155 Steadicam shot 161 crane shot 167 sequence shot 173 filmography 179 index 183
Copyright Date
2010
Target Audience
College Audience
Dewey Decimal
791.4301
Dewey Edition
23
Illustrated
Yes
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