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Farbmonitore: Das schwarze Gesicht der Technologie in Amerika von Kevorkian, Martin-
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eBay-Artikelnr.:145515787641
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780801472787
- Subject Area
- Literary Criticism, Computers, Technology & Engineering, Social Science
- Publication Name
- Color Monitors : the Black Face of Technology in America
- Publisher
- Cornell University Press
- Item Length
- 9 in
- Subject
- American / African American, Media Studies, Social Aspects, Social Aspects / General, General, Ethnic Studies / African American Studies
- Publication Year
- 2006
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 16 Oz
- Item Width
- 6 in
- Number of Pages
- 224 Pages
Über dieses Produkt
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801472784
ISBN-13
9780801472787
eBay Product ID (ePID)
48652363
Product Key Features
Number of Pages
224 Pages
Publication Name
Color Monitors : the Black Face of Technology in America
Language
English
Subject
American / African American, Media Studies, Social Aspects, Social Aspects / General, General, Ethnic Studies / African American Studies
Publication Year
2006
Type
Textbook
Subject Area
Literary Criticism, Computers, Technology & Engineering, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-025052
Dewey Edition
22
Reviews
Martin Kevorkian argues, with wit and variety, that technology has become a preferred cultural tactic for containing blackness. Kevorkian's insight that the same dynamic that made slavery foundational to the American national project is also at work now in the technological formations of empire is astonishing., "Color Monitors provides a much-needed survey of racialized representations vis-à-vis technology in contemporary mainstream American culture. Martin Kevorkian navigates among film, advertisements, and narrative fiction in a writing style that is eminently readable without eschewing complexity."--Alexander Weheliye, Northwestern University, "Martin Kevorkian argues, with wit and variety, that technology has become a preferred cultural tactic for containing blackness. Kevorkian's insight that the same dynamic that made slavery foundational to the American national project is also at work now in the technological formations of empire is astonishing."--Joseph Tabbi, University of Illinois at Chicago, "Color Monitors provides a much-needed survey of racialized representations vis--vis technology in contemporary mainstream American culture. Martin Kevorkian navigates among film, advertisements, and narrative fiction in a writing style that is eminently readable without eschewing complexity."-Alexander Weheliye, Northwestern University, "Color Monitors provides a much-needed survey of racialized representations vis--vis technology in contemporary mainstream American culture. Martin Kevorkian navigates among film, advertisements, and narrative fiction in a writing style that is eminently readable without eschewing complexity."--Alexander Weheliye, Northwestern University, Color Monitors provides a much-needed survey of racialized representations vis-à-vis technology in contemporary mainstream American culture. Martin Kevorkian navigates among film, advertisements, and narrative fiction in a writing style that is eminently readable without eschewing complexity.
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
302.2308996073
Synopsis
Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when...|9780801472787|, " Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call?to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."?Martin Kevorkian Following up on Ralph Ellison's intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity. Analyzing escapist fantasies from Mission: Impossible to Minority Report , Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied?even imprisoned?by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology. Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies., "Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call--to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."--Martin KevorkianFollowing up on Ralph Ellison's intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity.Analyzing escapist fantasies from Mission: Impossible to Minority Report, Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied--even imprisoned--by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology.Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies., " Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call--to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."--Martin Kevorkian Following up on Ralph Ellison's intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity. Analyzing escapist fantasies from Mission: Impossible to Minority Report , Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied--even imprisoned--by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology. Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies.
LC Classification Number
P94.5.A372U558 2005
Copyright Date
2006
ebay_catalog_id
4
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