ReviewsBrandt's introductory essay describes his 'outrage overload' and his passion for making a difference. The 70 large plates are magnificently printed and give us a strong sense of the majesty of the animals as well as some of the human pressures. This is where the very large format of this photobook really shines (it would be a notable addition to anyone's coffee table)., This Empty World is a blazoning exploration of the vulnerability of animals and humans in an era of environmental degradation. Brandt's vision communicates the urgency of environmental issues with undiluted conviction. The works' impact, immediate and direct, is informed by a painstakingly deliberate and nuanced process. Brandt's finished works...of the wild animals and the human-inhabited sets, create startling scenes of the two worlds in direct dialogue., This Empty World is a captivating account of wildlife colliding hard against an endless tide of human encroachment. Brandt's masterpiece images reflect the ambivalence of a world looking away from its own shadows. The images are monumental achievements., This Empty World showcases stunning scenes of animals and humans trying to live side by side in a rapidly developing environment...A stunning cinematic quality..., Stunning...Nick Brandt's This Empty World is a bold assault on human greed, capitalism and consumer culture., The astonishing images in This Empty World by Nick Brandt deliver the emotional shock rarely felt, but urgently needed, to accelerate global conservation., This Empty World dazzles with its imposing scale, colorful detail, and technical ambition...an arresting body of work., Extraordinary work...This Empty World is a truly smart way of raising awareness, for it forces us to rethink our expectations, our take on photography, and ultimately, the destruction of our planet.
Dewey Decimal779.32092
SynopsisMoving into color photography for the first time, this monograph of new work from photographer Nick Brandt is both a technical tour de force of contemporary image making and an ambitiously scaled project that uses constructed sets of a scale typically seen in major film productions. Each image is a combination of two photographs taken weeks apart, almost all from the exact same camera position. The starting point of each composition is always the animal photographed in its native savannah landscape. Brandt then designs and builds sets in the precise location of the original photograph depicting the human developments, such as gas stations, highway and bridge construction sites, and bus stations, that are invading the East African landscape. A second sequence is then photographed with the completed set, populated by a large cast of people drawn from local communities and beyond. The final images are powerful composites of the two source photographs, which presents the wild animals and the people as equal victims of the environmental--both now aliens in their once-natural, once-native habitat. Including an introductory essay by Nick Brandt and a descriptive behind-the- scenes section, this new book is a must-have publication for all fans of Brandt's work., This Empty World , Nick Brandt's new monograph, features a series of dramatically staged photographs that bring together and reveal the animals and people of East Africa as the victims of environmental degradation in an emotionally powerful, cinematic way.Moving into colour photography for the first time, the work is both a technical tour-de-force and a massively ambitious project in which several sets are constructed on a scale typically only seen in film production. Each panoramic image is a combination of two moments in time, almost all of them captured weeks apart from the exact same camera position.Brandt first builds and lights a partial set, then waits for the animals that inhabit the region to enter the frame. Once captured on camera, the full set is built with the camera remaining fixed in place. The sets include bridge and highway construction sites, a petrol station, a bus station and even a dead forest. Completing the scene with a huge cast drawn from local communities, Brandt then photographs the second sequence. The final large scale prints are a composite of the two intricately plotted elements.Viewed as a whole, the images vividly illustrate a world in which, overwhelmed by runaway human development, there is no longer space for animals to survive, and beg the question: what kind of world will we live in when stripped of its natural wonders.Photographed on unprotected, inhabited Maasai community land, after the sets were removed and their elements recycled, no evidence of the images now remains in the landscape., A new collection ofimages by celebratedphotographer Nick Brandt,whose epic, disturbinglybeautiful panoramasaddress the escalatingdestruction of the naturalworld at the hands of man.
LC Classification NumberTR729.W54