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Oper im Wiener Haus von Mozart bis Rossini von Nancy November Hardcover Bo-
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Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781009409803
- Type
- Does not apply
- ISBN
- 9781009409803
Über dieses Produkt
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
1009409808
ISBN-13
9781009409803
eBay Product ID (ePID)
16065334849
Product Key Features
Book Title
Opera in the Viennese Home from Mozart to Rossini
Number of Pages
300 Pages
Language
English
Topic
History & Criticism, General
Publication Year
2024
Illustrator
Yes
Genre
Music
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Length
9.8 in
Item Width
6.9 in
Additional Product Features
LCCN
2023-031390
Dewey Edition
23/eng/20230707
Dewey Decimal
780.9436
Table Of Content
Introduction; 1. Opera in the 'fruitful age of musical translations'; 2. Kenner und Liebhaber: Meeting the domestic market; 3. Female agency in the early nineteenth-century Viennese musical salon; 4. Canon formation, domestication, and opera; 5. Rossini 'as the Viennese Liked it'; 6. Industry, agency, and opera arrangements in Czerny's Vienna; Acknowledgements; Bibliography.
Synopsis
The many and varied domestic musical arrangements of opera that circulated in Vienna provide a unique window on the world of nineteenth-century amateur music-making. This study takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers., Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790-1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.s the central importance of women's roles.s the central importance of women's roles.s the central importance of women's roles., Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790-1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.
LC Classification Number
ML246.8.V6N68 2023
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