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Visible Cities, Global Comics: Urban Images and Spatial Form, Fraser, Benjamin,
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Visible Cities, Global Comics: Urban Images and Spatial Form, Fraser, Benjamin,
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Visible Cities, Global Comics: Urban Images and Spatial Form, Fraser, Benjamin,

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    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    ISBN
    9781496825032

    Über dieses Produkt

    Product Identifiers

    Publisher
    University Press of Mississippi
    ISBN-10
    1496825039
    ISBN-13
    9781496825032
    eBay Product ID (ePID)
    6038382574

    Product Key Features

    Book Title
    Visible Cities, Global Comics : Urban Images and Spatial Form
    Number of Pages
    300 Pages
    Language
    English
    Publication Year
    2019
    Topic
    Human Geography, Anthropology / Cultural & Social, Comics & Graphic Novels
    Illustrator
    Yes
    Genre
    Literary Criticism, Social Science
    Author
    Benjamin Fraser
    Format
    Hardcover

    Dimensions

    Item Height
    0.8 in
    Item Weight
    18.8 Oz
    Item Length
    9.3 in
    Item Width
    6.1 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2019-011953
    Reviews
    Benjamin Fraser has written a seminal book. Until now we did not have a study covering the field of comics and the city. Fraser's book is now offering a comprehensive overview to the relations between the city and the medium of comics, and it also provides deep readings and analyses of selected works. Whatever research will follow approaching the subject of comics and the city, it will all stem from Fraser's book., Benjamin Fraser has gifted us a path-breaking interdisciplinary study of the way that comics enable us to think through the varied experiences of the urban environment. A truly global study, Fraser transports us from the Sagrada Familia of Barcelona to the streets of São Paolo, from the skylines of New York to the types of fictional cityscapes that only comics can produce. This wide-ranging and deep-diving volume promises to open comics studies to entirely new ways of thinking., This is a wonderful book to explore how cities are represented in comics. A superb prompt to deeply reflect on the graphic textures of urbanism, urban life, and the material and iconic representation of global cities. A truly delightful work that inspires one to keep loving comics and think about them with spatial passion and the graphic fascination of the urban heart.
    Dewey Edition
    23
    Dewey Decimal
    741.5358209732
    Synopsis
    More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this Subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, fl'nerie , gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life., CHOICE Outstanding Academic Title for 2020 More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, fl'nerie , gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life., CHOICE Outstanding Academic Title for 2020 More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, fl'nerie , gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium?s spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life., More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, fl nerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, S o Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life.
    LC Classification Number
    PN6714.F74 2019

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