Who Stole the Funny?: A Novel of Hollywood
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Who Stole the Funny?: A Novel of Hollywood
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eBay-Artikelnr.:335771862135
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- Artikelzustand
- ISBN
- 9780061245008
Über dieses Produkt
Product Identifiers
Publisher
HarperCollins
ISBN-10
0061245003
ISBN-13
9780061245008
eBay Product ID (ePID)
59085677
Product Key Features
Book Title
Who Stole the Funny? : a Novel of Hollywood
Number of Pages
368 Pages
Language
English
Topic
General, Satire, Historical, Media Tie-In
Publication Year
2007
Genre
Fiction
Format
Perfect
Dimensions
Item Height
0.9 in
Item Weight
11.7 Oz
Item Length
8 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
Reviews
"An irreverent and hilarious stroll down the dark alleys of Hollywood's TV landscape." -- Peter Bart, Editor in Chief, Variety "'Who Stole The Funny?' benefits from Mr. Benson's deep knowledge of his subject matter..." -- Wall Street Journal, "?Who Stole The Funny? benefits from Mr. Benson's deep knowledge of his subject matter..." (Wall Street Journal)
Synopsis
A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and caustically comedic bird's-eye view behind the scenes of comedy television. A wickedly delicious roman-a-clef about the making of a sitcom called My Urban Buddies , this satirical romp of a novel portrays life on the other side of the television lens, hilariously sending up self-serious Hollywood stereotypes across the board. Programmed-for-success director J. T. Baker has to bring an up-and-coming sitcom to fruition after its initial director shoots himself in the head with a nail gun. Comically annotated with helpful and enlightening Hollywood glossary terms ("Creative-type director: One who has no hope of working in this town again"; "Eccentric: Affecting a style of dress, coiffure, speech, mannerisms, etc., carefully calculated to give the impression of creative credibility"), Benson creates an exaggerated world of crazy writers; backstabbing executives, agents, and producers; foul-mouthed everyone-elses; and hardcore cynics--and the ridiculous inner monologues behind them., A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and caustically comedic bird's-eye view behind the scenes of comedy television. A wickedly delicious roman-a-clef about the making of a sitcom called My Urban Buddies, this satirical romp of a novel portrays life on the other side of the television lens, hilariously sending up self-serious Hollywood stereotypes across the board. Programmed-for-success director J. T. Baker has to bring an up-and-coming sitcom to fruition after its initial director shoots himself in the head with a nail gun. Comically annotated with helpful and enlightening Hollywood glossary terms ("Creative-type director: One who has no hope of working in this town again"; "Eccentric: Affecting a style of dress, coiffure, speech, mannerisms, etc., carefully calculated to give the impression of creative credibility"), Benson creates an exaggerated world of crazy writers; backstabbing executives, agents, and producers; foul-mouthed everyone-elses; and hardcore cynics-and the ridiculous inner monologues behind them., A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and satirical birds-eye view of life behind the scenes in comedy television., A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and caustically comedic bird's-eye view behind the scenes of comedy television. A wickedly delicious roman-a-clef about the making of a sitcom called My Urban Buddies, this satirical romp of a novel portrays life on the other side of the television lens, hilariously sending up self-serious Hollywood stereotypes across the board. Programmed-for-success director J. T. Baker has to bring an up-and-coming sitcom to fruition after its initial director shoots himself in the head with a nail gun. Comically annotated with helpful and enlightening Hollywood glossary terms ("Creative-type director: One who has no hope of working in this town again"; "Eccentric: Affecting a style of dress, coiffure, speech, mannerisms, etc., carefully calculated to give the impression of creative credibility"), Benson creates an exaggerated world of crazy writers; backstabbing executives, agents, and producers; foul-mouthed everyone-elses; and hardcore cynics--and the ridiculous inner monologues behind them.
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