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Inkface: Othello und weiße Autorität im Zeitalter der atlantischen Sklaverei von Grier-
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eBay-Artikelnr.:315695852661
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “Appears to be new with some exterior wear from storage/shipping”
- ISBN
- 9780813950372
Über dieses Produkt
Product Identifiers
Publisher
University of Virginia Press
ISBN-10
0813950376
ISBN-13
9780813950372
eBay Product ID (ePID)
27060624677
Product Key Features
Number of Pages
346 Pages
Publication Name
Inkface : Othello & White Authority in the Era of Atlantic Slavery
Language
English
Subject
American / African American
Publication Year
2023
Type
Textbook
Subject Area
Literary Criticism
Series
Writing the Early Americas Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
9.6 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2023-026397
Reviews
Inkface is poised to make significant contributions to the scholarly literatures on racialization in early modern British literary and performance culture and its legacies in North America. The critical, intellectual, and ideological aims of Inkface are ambitious, urgent, and generative. This book has changed so much of what I thought I knew about Othello ?and all for the better!, Miles Grier's Inkface brilliantly traces the complex semiotic work performed by blackface in Shakespeare's Othello and its inky progeny on the page and stage across a longue durée , beginning with its inception in early seventeenth century England and then crossing the Atlantic to consider its textual and theatrical afterlives in eighteenth- and nineteenth-century America. The hermeneutics of inkface, Grier argues, far from simply grounding racialized character in an ostensibly indelible reality that renders blackness legible for white interpretive communities, loosens signifier from signified, revealing its saturation with unwieldy significations that become untethered from the "real" and thus open to resignification., Inkface is poised to make significant contributions to the scholarly literatures on racialization in early modern British literary and performance culture and its legacies in North America. The critical, intellectual, and ideological aims of Inkface are ambitious, urgent, and generative. This book has changed so much of what I thought I knew about Othello --and all for the better!, Inkface is poised to make significant contributions to the scholarly literatures on racialization in early modern British literary and performance culture and its legacies in North America. The critical, intellectual, and ideological aims of Inkface are ambitious, urgent, and generative. This book has changed so much of what I thought I knew about Othello--and all for the better! --Douglas A. Jones, Jr., Duke University Miles Grier's Inkface brilliantly traces the complex semiotic work performed by blackface in Shakespeare's Othello and its inky progeny on the page and stage across a longue duree, beginning with its inception in early seventeenth century England and then crossing the Atlantic to consider its textual and theatrical afterlives in eighteenth- and nineteenth-century America. The hermeneutics of inkface, Grier argues, far from simply grounding racialized character in an ostensibly indelible reality that renders blackness legible for white interpretive communities, loosens signifier from signified, revealing its saturation with unwieldy significations that become untethered from the "real" and thus open to resignification. --Natasha Korda, Wesleyan University, author of Labors Lost: Women's Work and the Early Modern English Stage
Grade From
College Graduate Student
Illustrated
Yes
Table Of Content
Introduction: The Residue of Inkface 1. The Moor of Venice Reconstructed "O Bloody Period": Othello's Constitution and Significance "Letter and Affection," or Iago's Motive Reconsidered Interlude: Desdemona's Guilt, or "The Farce of Dead Alive" 2. "Be Thus When Thou Art Dead": Aphra Benh's Remediation of Othello 3. "Pale as thy Smock": Abigail Adams in Desdemona's Whites 4. The Cherokee Othello: Treating with 'The Base Indian' 5. Inkface to Chalkbones: The End of White Character Mastery in Melville's "BC" Epilogue: An Ultimate Reader
Synopsis
In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity's reading of the world as well as the ways in which those excluded attempted to counteract it., In Inkface , Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity?s reading of the world as well as the ways in which those excluded attempted to counteract it., In Inkface , Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity's reading of the world as well as the ways in which those excluded attempted to counteract it., In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era ......
LC Classification Number
PR2829.G75 2023
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Verkäuferbewertungen (40.041)
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- h***r (743)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufHighly recommended seller
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