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Lot Gymnopédies, Gnossiennes und andere Werke für Klavier, THE DUKEELLINGTON MORE-
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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Standort: Ironia, New Jersey, USA
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eBay-Artikelnr.:306287789942
Artikelmerkmale
- Artikelzustand
- Release Year
- 1989
- ISBN
- 9780486259789
Über dieses Produkt
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
0486259781
ISBN-13
9780486259789
eBay Product ID (ePID)
610258
Product Key Features
Book Title
Gymnopedies, Gnossiennes and Other Works for Piano
Number of Pages
176 Pages
Language
English
Topic
Genres & Styles / Classical, Composers & Musicians, Printed Music / Piano & Keyboard Repertoire
Publication Year
1989
Genre
Music, Biography & Autobiography
Book Series
Dover Music for Piano Ser.
Format
Trade Paperback
Dimensions
Item Weight
15.7 Oz
Item Length
12 in
Item Width
9 in
Additional Product Features
Intended Audience
Trade
Synopsis
In his piano works especially, Erik Satie (1866-1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy's compositions in particular, giving his own works such surrealistic names as Pieces in Pear Form and Dried Embryos , and annotating them with equally bizarre musical directions: "Tres 'neuf heures du matin" (Very "nine in the morning"), "Corpulentus" (Corpulent), and so on. His comic spirit is equally embodied in the music itself, as this delightful selection of seventeen piano works amply proves. They are as spare, lively, and capricious as they are hauntingly melodic. In addition to the well-known Gymnopédies and Gnossiennes , the pieces reproduced here include Sarabandes, Pièces froides, Poudre d'or, En habit de cheval, Morceaux en forme de poire, Embryons desséchés, Aperçus désagreables, Descriptions automatiques, and more. This volume, the largest collection of Satie's piano works yet published, has been reprinted on fine-quality paper from authoritative original editions, and sturdily bound to provide you a lifetime of study and enjoyment. In its pages are some of the most original and appealing achievements of a turbulent era in music, compositions that influenced such modern masters as Ravel, Milhaud, and Poulenc., This affordable volume represents the largest collection of Satie piano works available. Includes 17 pieces in all by the French composer and pianist, including his most famous piece, Gymnopdies ., In his piano works especially, Erik Satie (18661925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy's compositions in particular, giving his own works such surrealistic names as Pieces in Pear Form and Dried Embryos , and annotating them with equally bizarre musical directions: "Tres 'neuf heures du matin" (Very "nine in the morning"), "Corpulentus" (Corpulent), and so on. His comic spirit is equally embodied in the music itself, as this delightful selection of seventeen piano works amply proves. They are as spare, lively, and capricious as they are hauntingly melodic. In addition to the well-known Gymnopdies and Gnossiennes , the pieces reproduced here include Sarabandes, Pices froides, Poudre d'or, En habit de cheval, Morceaux en forme de poire, Embryons desschs, Aperus dsagreables, Descriptions automatiques, and more. This volume, the largest collection of Satie's piano works yet published, has been reprinted on fine-quality paper from authoritative original editions, and sturdily bound to provide you a lifetime of study and enjoyment. In its pages are some of the most original and appealing achievements of a turbulent era in music, compositions that influenced such modern masters as Ravel, Milhaud, and Poulenc., In his piano works especially, Erik Satie (1866-1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy's compositions in particular, giving his own works such surrealistic names as Pieces in Pear Form and Dried Embryos , and annotating them with equally bizarre musical directions: "Tres 'neuf heures du matin" (Very "nine in the morning"), "Corpulentus" (Corpulent), and so on. His comic spirit is equally embodied in the music itself, as this delightful selection of seventeen piano works amply proves. They are as spare, lively, and capricious as they are hauntingly melodic. In addition to the well-known Gymnop dies and Gnossiennes , the pieces reproduced here include Sarabandes, Pi ces froides, Poudre d'or, En habit de cheval, Morceaux en forme de poire, Embryons dess ch s, Aper us d sagreables, Descriptions automatiques, and more. This volume, the largest collection of Satie's piano works yet published, has been reprinted on fine-quality paper from authoritative original editions, and sturdily bound to provide you a lifetime of study and enjoyment. In its pages are some of the most original and appealing achievements of a turbulent era in music, compositions that influenced such modern masters as Ravel, Milhaud, and Poulenc.
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