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Das Urteil von Paris von Ross King (2006, Erstausgabe, Hardcover)-
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Standort: Stafford, Texas, USA
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eBay-Artikelnr.:286550457047
Artikelmerkmale
- Artikelzustand
- Personalize
- No
- Era
- 2000s
- Signed
- No
- Custom Bundle
- No
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Personalized
- No
- Features
- Dust Jacket, Illustrated
- Original Language
- English
- Inscribed
- No
- Intended Audience
- Adults
- Vintage
- No
- ISBN
- 9780802714664
Über dieses Produkt
Product Identifiers
Publisher
Walker & Company
ISBN-10
0802714668
ISBN-13
9780802714664
eBay Product ID (ePID)
47847154
Product Key Features
Book Title
Judgment of Paris : the Revolutionary Decade That Gave the World Impressionism
Number of Pages
464 Pages
Language
English
Publication Year
2006
Topic
History / Modern (Late 19th Century to 1945), Individual Artists / General, European, History / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.6 in
Item Weight
29.8 Oz
Item Length
9.4 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-031089
TitleLeading
The
Dewey Edition
22
Dewey Decimal
759.409/034
Synopsis
The acclaimed author of "Michaelangelo and the Pope's Ceiling" chronicles the decade between two famous exhibitions: the scandalous Salon des Refuss in 1863, and the first Impressionist showing in 1874, set against the dramatic rise and fall of Napoleon III and the Second Empire., While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial. The drama of its birth, played out on canvas, would at times resemble a battlefield; and, as Ross King reveals, Impressionism would reorder both history and culture as it resonated around the world. "The Judgment of Paris" chronicles the dramatic decade between two famous exhibitions--the scandalous Salon des Refuses in 1863 and the first Impressionist showing in 1874--set against the rise and dramatic fall of Napoleon III and the Second Empire after the Franco-Prussian War. A tale of many artists, it revolves around the lives of two, described as "the two poles of art"--Ernest Meissonier, the most famous and successful painter of the 19th century, hailed for his precision and devotion to history; and Edouard Manet, reviled in his time, who nonetheless heralded the most radical change in the history of art since the Renaissance. Out of the fascinating story of their parallel lives, illuminated by their legendary supporters and critics--Zola, Delacroix, Courbet, Baudelaire, Whistler, Monet, Hugo, Degas, and many more--Ross King shows that their contest was not just about Art, it was about competing visions of a rapidly changing world. With a novelist's skill and the insight of an historian, King recalls a seminal period when Paris was the artistic center of the world, and arevolutionary movement had the power to electrify and divide a nation., While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial. The drama of its birth, played out on canvas, would at times resemble a battlefield; and, as Ross King reveals, Impressionism would reorder both history and culture as it resonated around the world. The Judgment of Paris chronicles the dramatic decade between two famous exhibitions--the scandalous Salon des Refuses in 1863 and the first Impressionist showing in 1874--set against the rise and dramatic fall of Napoleon III and the Second Empire after the Franco-Prussian War. A tale of many artists, it revolves around the lives of two, described as "the two poles of art"--Ernest Meissonier, the most famous and successful painter of the 19th century, hailed for his precision and devotion to history; and Edouard Manet, reviled in his time, who nonetheless heralded the most radical change in the history of art since the Renaissance. Out of the fascinating story of their parallel lives, illuminated by their legendary supporters and critics--Zola, Delacroix, Courbet, Baudelaire, Whistler, Monet, Hugo, Degas, and many more--Ross King shows that their contest was not just about Art, it was about competing visions of a rapidly changing world. With a novelist's skill and the insight of an historian, King recalls a seminal period when Paris was the artistic center of the world, and a revolutionary movement had the power to electrify and divide a nation.
LC Classification Number
ND547.K47 2006
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