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Agnes Martin (gebunden)
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Agnes Martin (Hardback)
Merchant of Babylon
(5542)
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    Versand:
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    Standort: Bakersfield, California, USA
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    Lieferung zwischen Sa, 30. Aug und Do, 4. Sep nach 94104 bei heutigem Zahlungseingang
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    eBay-Artikelnr.:205533530160

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    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    EAN
    9781938922763
    ISBN
    9781938922763
    Release Year
    2015
    Publication Name
    Agnes Martin
    Contributor
    Maria Müller-Schareck (Text by)
    Title
    Agnes Martin
    ISBN-10
    193892276X
    Country/Region of Manufacture
    US
    Release Date
    07/28/2015

    Über dieses Produkt

    Product Identifiers

    Publisher
    D.A.P./Distributed Art Publishers
    ISBN-10
    193892276X
    ISBN-13
    9781938922763
    eBay Product ID (ePID)
    25038699110

    Product Key Features

    Book Title
    Agnes Martin
    Number of Pages
    272 Pages
    Language
    English
    Topic
    History / Modern (Late 19th Century to 1945), Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General
    Publication Year
    2015
    Illustrator
    Yes
    Genre
    Art
    Author
    Agnes Martin
    Format
    Hardcover

    Dimensions

    Item Height
    1.2 in
    Item Weight
    52.1 Oz
    Item Length
    10.8 in
    Item Width
    8.7 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2015-023327
    Reviews
    The paintings ask that we look, look and keep looking. They beckon us into an attitude of attention, a willingness to take time., her paintings, which at first can appear impersonal or even mechanical, become that much more human and involving. Martin's cool geometric abstractions are butterfly nets for emotions., This exhaustive survey of painter Agnes Martin s career shows how she spent decades modulating the basic form of a gridded or banded square to achieve a vast range of aesthetic and emotional effects, from severe to sensual., A deep, and deepening, sense of the artist s singular powers&a sort of secular pilgrimage, on which you may feel your perceptual ability to register minute differences in tone and texture steadily refined, and your heart ambushed by rushes of emotion., ...a strong message emerges from Martin's magnificent works, whether paintings, drawings, prints, or even sculpture: to become a serious artist requires a choice, a willful rite of passage that precedes the course one will follow., ...Linear abstract paintings that are balanced and personal, precise and hand-touched. Many are so subtle as to be barely photographable, yet they look gorgeous in the catalog (edited by Frances Morris and Tiffany Bell) for her recent Tate Modern show, "Agnes Martin," which travels to the Guggenheim Museum in October 2016., Some of the more significant creations about spirituality, beauty, and painting itself that modernism has ever known& She used the grid as a forum for belief- a space where the viewer as well as the artist could contemplate the hand making the thing being observed., Survey of Agnes Martin's powerful yet meditative work draws a straight, vibrant line to Zen.... Once you've nestled into her seemingly simple, initially inscrutable, finally profound vision of art, it's like enveloping your mind's eye in a soft, methodical, determined but exalted radiance., A deep, and deepening, sense of the artist's singular powers...a sort of secular pilgrimage, on which you may feel your perceptual ability to register minute differences in tone and texture steadily refined, and your heart ambushed by rushes of emotion., ...a strong message emerges from Martin s magnificent works, whether paintings, drawings, prints, or even sculpture: to become a serious artist requires a choice, a willful rite of passage that precedes the course one will follow., Some of the more significant creations about spirituality, beauty, and painting itself that modernism has ever known... She used the grid as a forum for belief- a space where the viewer as well as the artist could contemplate the hand making the thing being observed., This exhaustive survey of painter Agnes Martin's career shows how she spent decades modulating the basic form of a gridded or banded square to achieve a vast range of aesthetic and emotional effects, from severe to sensual.
    Dewey Edition
    23
    Dewey Decimal
    759.13
    Synopsis
    The critically acclaimed, indispensible illustrated monograph on Agnes Martin, published to accompany the major retrospective exhibition organized by the Tate and on view in 2016 at the Los Angeles County Museum of Art and the Guggenheim This groundbreaking survey provides an in-depth account of Martin's artistic career, from lesser-known early experimental works through her striped and gridded grey paintings and use of color in various formats, to a group of her final pieces that reintroduce bold forms. A selection of drawings and watercolors and Martin's own writing are also included. Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work--her life, relationship with other artists, the influence of South-Asian philosophy--alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre. Frances Morris places Martin's work in the art historical context of the time; art historian Richard Tobin analyzes Martin's painting "The Islands"; conservator Rachel Barker offers the reader a close viewing of "Morning"; curator Lena Fritsch provides a visual biography by comparing photographic portraits of Martin from different periods; and art historian Jacquelynn Baas delves into the spiritual and philosophical beliefs so present in Martin's art, including Platonism, Christian mysticism, Zen Buddhism and Taoism. Agnes Martin was born in Maklin, Saskatchewan, Canada, in 1912, and moved to the US in 1932, studying at universities in Oregon, California, New Mexico and New York. She painted still lifes and portraits until the early 1950s, when she developed an abstract biomorphic style influenced by Abstract Expressionism. Her first one-woman exhibition was held at the Betty Parsons Gallery, New York, in 1958. Partly through close friendships with artists such as Ellsworth Kelly and Ad Reinhardt, Martin began to experiment with symmetrical compositions of rectangles or circles within a square, then from around 1960-61 to work with grids of delicate horizontal and vertical lines. She left New York in 1967, shortly after the death of Reinhardt, and moved to New Mexico, where she lived until her death in 2004.
    LC Classification Number
    ND237.M24625A4 2015
    Text by
    Morris, Frances, Bell, Tiffany

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