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Film Studies: Critical Approaches by
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Book Title
Film Studies: Critical Approaches
ISBN
9780198742807

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198742800
ISBN-13
9780198742807
eBay Product ID (ePID)
1620791

Product Key Features

Number of Pages
248 Pages
Publication Name
Film Studies : Critical Approaches
Language
English
Subject
Film / Reference, Film / History & Criticism
Publication Year
2000
Type
Textbook
Author
Pamela Church Gibson
Subject Area
Performing Arts
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
17.8 Oz
Item Length
9.7 in
Item Width
7.4 in

Additional Product Features

Intended Audience
College Audience
LCCN
00-699704
Dewey Edition
21
Reviews
'...these volumes promise something more directed. ...Film Studies is a decent introduction to the subject.' Sight and Sound August 2000 (Page 32 Film criticism)'...there is a strong sense of the general evolution away from total theory to a more pluralist position across the whole field...providing clear signposts to further reading.' THES May 2000, '...these volumes promise something more directed. ...Film Studies is adecent introduction to the subject.' Sight and Sound August 2000 (Page 32Film criticism), "A succinct, legible and important guide to the study of film. The book presents a well organised approach to film studies with each chapter containing valuable information and detail", Luis Teixeira, Universidade Catolice Portuguese - Fine Arts School, '...there is a strong sense of the general evolution away from total theory to a more pluralist position across the whole field...providing clear signposts to further reading.' THES May 2000, '...there is a strong sense of the general evolution away from totaltheory to a more pluralist position across the whole field...providing clearsignposts to further reading.' THES May 2000, '...these volumes promise something more directed. ...Film Studies is a decent introduction to the subject.' Sight and Sound August 2000 (Page 32 Film criticism)
Illustrated
Yes
Dewey Decimal
791.43
Table Of Content
Introduction, John HillPart One: Critical Approaches1. Introduction to Film Studies, Richard DyerStudying the Film Text2. The Film Text and Film Form, Robert Phillip KolkerReadings:Written on the Wind, Robin WoodCitizen Kane, Peter Wollen3. Film Acting, Paul McDonald4. Film Costume, Pamela Church Gibson5. Film Music, Claudia GorbmanThe Film Text: Theoretical Developments6. Classic Film Theory and Semiotics, Anthony Easthope7. Formalism and Neo-formalism, Ian ChristieReading:Poetry and Prose in Cinema, Victor Schlovsky8. Impressionism, Surrealism, and Film Theory, Robert B. Ray9. Film and Psychocanalysis, Barbara Creed10. Post-Structuralism and Deconstruction, Peter Brunette11. Film and Postmodernism, John HillFilm Text and Context: Gender, Ideology, and Identities12. Marxism and Film, Chuck KleinhansReading:The Political Thriller Debate, John Hill13. Feminism and Film, Patricia WhiteReadings:Rebecca, Mary Anne DoaneRebecca, Tania Modleski14. Gay and Lesbian Criticism, Anneke Smelik15. Queer Theory, Alexander Doty16. Pornography, Laura Kipnis17. Race, Ethnicity, and Film, Robyn Wiegman18. Film and Cultural Identity, Rey ChowFilm Text and Context: Culture, History, and Reception19. Film and History, Dudley Andrew20. Sociology and Film, Andrew Tudor21. Cultural Studies and Film, Graeme Turner22. Film Audiences, Jostein Gripsrud23. Hermeneutics, Reception Aesthetics, and Film Interpretation, Noel King
Synopsis
Film Studies: Critical Approaches represents a critical guide to the study of film, covering all the significant theories, debates and approaches to the subject. A team of international experts provides an overview of the main disciplinary approaches to film studies, explaining the main concepts and methods involved in film analysis, and discussing areas in detail, including important new areas such as film audiences and reception, queer theory, film and psychoanalysis, and poststructuralist debates. Chapter summaries and lists of further reading in each chapter help the student to assimilate the material. This text is ideal for undergraduates taking courses in film criticism and textual analysis, guiding the reader through the maze of theory to the heart of the subject., The most up-to-date critical guide available, Film Studies: Critical Approaches covers all the significant theories, debates, and approaches to the subject. A team of international experts provides a clear and comprehensive overview of all the major theoretical and critical approaches involved in film analysis, including detailed coverage of established critical traditions--such as semiotics, feminism, and psychoanalysis--as well as important new areas of study such as film audiences and reception, queer theory, and identity politics. Chapter summaries and further reading lists help students to assimilate the material. Ideal for courses in film criticism and textual analysis, Film Studies: Critical Approaches guides students through the maze of theory to the heart of the subject., 'The contributors supply skilful overviews of the major critical approaches' Sight and Sound, May 1998 covers all the significant theories, debates and approaches to the subject chapter authors are international experts emphasis throughout on critical concepts, methods and debates includes material from important new fields such as film audiences and reception, queer theory, film and psychoanalysis, and poststructuralist approaches contains learning aids such as chapter summaries, critiques of individual films, and lists of further reading This text is the most up-to-date critical guide to the study of film. It is an ideal course companion for undergraduates taking courses in film criticism and textual analysis, and for students taking course options in gender, race and sexuality in film.
LC Classification Number
PN1994.F439138 2000

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