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No Future: Punk, Politics and British Youth Culture, 1976-1984 Paperback Book

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ISBN
9781316625606

Über dieses Produkt

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
1316625605
ISBN-13
9781316625606
eBay Product ID (ePID)
236914389

Product Key Features

Book Title
No Future : Punk, Politics and British Youth Culture, 1976-1984
Number of Pages
414 Pages
Language
English
Topic
Sociology / General, Political Process / Political Advocacy, Europe / Great Britain / General
Publication Year
2017
Illustrator
Yes
Genre
Political Science, Social Science, History
Author
Matthew Worley
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
24 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
Advance praise: 'Matthew Worley manages to strike a remarkable balance between vividly evoking punk's raucous rebellion, while also revealing how its aesthetics and politics disrupted the routines of British society. No Future is history as punk, and punk as history.' John Street, author of Music and Politics
Dewey Decimal
305.23509409047
Table Of Content
List of figures; Acknowledgements; Introduction. Teenage warning: punk, politics and youth culture; 1. What's this for? Punk's contested meanings; 2. Rock and roll (even): punk as cultural critique; 3. Tell us the truth: reportage, realism and abjection; 4. Suburban relapse: the politics of boredom; 5. Who needs a parliament? Punk and politics; 6. Anatomy is not destiny: punk as personal politics I; 7. Big Man, Big M.A.N: punk as personal politics II; 8. No future: punk as dystopia; Conclusion. Alternatives: chaos and finish.
Synopsis
'No Feelings', 'No Fun', 'No Future'. The years 1976-84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent., 'No Feelings', 'No Fun', 'No Future'. The years 1976-84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent., Fascinating new account of punk's emergence as a fashion, musical form, attitude and aesthetic in Britain from 1976 to 1984. Matthew Worley reveals the ways in which punk was constructed, understood and utilised as a cultural medium against the backdrop of a 1970s Britain in deep social and political crisis.
LC Classification Number
HQ799.G7

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