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Aisthesis: Szenen aus dem ästhetischen Kunstregime von Ranciere, sehr gut-
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eBay-Artikelnr.:156733120914
Artikelmerkmale
- Artikelzustand
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- Hinweise des Verkäufers
- ISBN
- 9781781680896
Über dieses Produkt
Product Identifiers
Publisher
Verso Books
ISBN-10
1781680892
ISBN-13
9781781680896
eBay Product ID (ePID)
144115294
Product Key Features
Book Title
Aisthesis : Scenes from the Aesthetic Regime of Art
Number of Pages
304 Pages
Language
English
Topic
Criticism & Theory, Aesthetics, History / General
Publication Year
2013
Genre
Art, Philosophy
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
21 Oz
Item Length
9.4 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-004995
Dewey Edition
23
Reviews
'eoeFrench philosopher Jacques Rancière is a refreshing read for anyone concerned with what art has to do with politics and society.'e�, "Jacques Rancière's Aisthesis transforms the field of aesthetic philosophy."-- Libération "French philosopher Jacques Rancière is a refreshing read for anyone concerned with what art has to do with politics and society."-- Art Review "In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, Rancière shows a way out of the malaise."--Liam Gillick "It's clear that Jacques Rancière is relighting the flame that was extinguished for many--that is why he serves as such a signal reference today."--Thomas Hirschhorn "Far from the grand narratives of modernism that claim the language of art progresses in the search for purity ... modernity breaks down the hierarchy between spheres of culture, disturbing the boundaries between art and life ... [Rancière] analyzes a series of moments from this other history that could only be written in proliferating fragments ... this aesthetic 'regime' conditions the forms of art and democracy in an era of the permanent emergence of new sovereign subjects."-- Le Monde "Since The Division of the Sensible ... Rancière has been reminding those who would separate the wheat from the chaff in contemporary creative practices that art only exists as an unstable boundary that must be continually crossed. In Aisthesis the philosopher develops his thinking, drawing fifteen scenes of a counter-history of artistic modernity."-- Le Magazine Littéraire, "Jacques Rancire's Aisthesis transforms the field of aesthetic philosophy."-- Libration "French philosopher Jacques Rancire is a refreshing read for anyone concerned with what art has to do with politics and society."-- Art Review "In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, Rancire shows a way out of the malaise."--Liam Gillick "It's clear that Jacques Rancire is relighting the flame that was extinguished for many--that is why he serves as such a signal reference today."--Thomas Hirschhorn "Far from the grand narratives of modernism that claim the language of art progresses in the search for purity ... modernity breaks down the hierarchy between spheres of culture, disturbing the boundaries between art and life ... [Rancire] analyzes a series of moments from this other history that could only be written in proliferating fragments ... this aesthetic 'regime' conditions the forms of art and democracy in an era of the permanent emergence of new sovereign subjects."-- Le Monde "Since The Division of the Sensible ... Rancire has been reminding those who would separate the wheat from the chaff in contemporary creative practices that art only exists as an unstable boundary that must be continually crossed. In Aisthesis the philosopher develops his thinking, drawing fifteen scenes of a counter-history of artistic modernity."-- Le Magazine Littraire
Dewey Decimal
701.17
Synopsis
Composed in a series of scenes, Aisthesis .Ranci.re.s definitive statement on the aesthetic.takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarm. to the Folies-Berg.re, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Ranci.re uses these sites and events.some famous, others forgotten.to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism., Composed in a series of scenes, Aisthesis -Rancière's definitive statement on the aesthetic-takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events--some famous, others forgotten--to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism., Composed in a series of scenes, Aisthesis -Ranci re's definitive statement on the aesthetic-takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarm to the Folies-Berg re, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Ranci re uses these sites and events--some famous, others forgotten--to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.
LC Classification Number
N70
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