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Boundaries by Lin, Maya
by Lin, Maya | PB | VeryGood
US $5,75
Ca.EUR 5,05
Artikelzustand:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Mehr erfahrenÜber den Artikelzustand
Sehr gut
Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand befindet. Der Einband weist keine offensichtlichen Beschädigungen auf. Bei gebundenen Büchern ist der Schutzumschlag vorhanden (sofern zutreffend). Alle Seiten sind vollständig vorhanden, es gibt keine zerknitterten oder eingerissenen Seiten und im Text oder im Randbereich wurden keine Unterstreichungen, Markierungen oder Notizen vorgenommen. Der Inneneinband kann minimale Gebrauchsspuren aufweisen. Minimale Gebrauchsspuren. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Standort: Aurora, Illinois, USA
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eBay-Artikelnr.:144834683569
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780743299596
Über dieses Produkt
Product Identifiers
Publisher
Simon & Schuster
ISBN-10
0743299590
ISBN-13
9780743299596
eBay Product ID (ePID)
53565297
Product Key Features
Book Title
Boundaries
Number of Pages
224 Pages
Language
English
Publication Year
2006
Topic
Individual Artists / General, Individual Architects & Firms / General, American / General, Buildings / Landmarks & Monuments
Illustrator
Yes
Genre
Art, Architecture
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
18 Oz
Item Length
10 in
Item Width
7.7 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Reviews
"Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it." -- Newsweek, "Her first book, "Boundaries," unfolds as an intimate pictorial memoir of Lin's journey in realizing her primary passion: 'sculpting the earth.'""-- Harper's Bazaar", "Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it." -- "Newsweek", "Like everything connected with Lin,Boundariesis beautifully designed and beautifully written."--The Boston Globe, "Like everything connected with Lin," Boundaries" is beautifully designed and beautifully written."-- "The Boston Globe", "Like everything connected with Lin, Boundaries is beautifully designed and beautifully written." -- The Boston Globe, "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create."-- USA Today, "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create."--USA Today, "Like everything connected with Lin, Boundaries is beautifully designed and beautifully written."-- The Boston Globe, NewsweekIs Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it., "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an artbook. . . . Every page in her book is serene, thought-provoking, striking."--The Arizona Republic, "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an art book. . . . Every page in her book is serene, thought-provoking, striking."-- "The Arizona Republic", "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create."-- "USA Today", "Her first book,Boundaries, unfolds as an intimate pictorial memoir of Lin's journey in realizing her primary passion: 'sculpting the earth.'"-- Harper's Bazaar, "Some people perceive the world visually, like architects and sculptors. And others see the world through the prism of language, like writers. Maya Lin can do both. . . . A writer both concise and graceful on such abstract topics as art, vision, and design, Lin offers unique insights into how artists create." -- USA Today, "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an artbook. . . . Every page in her book is serene, thought-provoking, striking."-- The Arizona Republic, "Her first book, Boundaries , unfolds as an intimate pictorial memoir of Lin's journey in realizing her primary passion: 'sculpting the earth.'" -- Harper's Bazaar, "Newsweek"Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, "magician" is more like it., "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an art book. . . . Every page in her book is serene, thought-provoking, striking."-- The Arizona Republic, "Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it."-- Newsweek, "This lovely book succeeds in two worlds: Lin wants you to read it and yet see it as an art book. . . . Every page in her book is serene, thought-provoking, striking." -- The Arizona Republic, "Is Lin an artist or an architect? Given her ability to maintain her aesthetic integrity in a string of projects that have won over both critics and the public, magician is more like it."--Newsweek
Dewey Decimal
709/.2
Synopsis
Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole....So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the "Vietnam Veterans Memorial" in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center "Civil Rights Memorial," the Yale "Women's Table, Wave Field" -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age."Boundaries" is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that makeup those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. "Boundaries" is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art., Renowned artist and architect Maya Lin's visual and verbal sketchbook--a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial , the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art., Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of theVietnam Veterans Memorialin Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law CenterCivil Rights Memorial, the YaleWomen's Table, Wave Field-- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundariesis her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text.Boundariesis a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art., Lin--designer of the Vietnam Memorial, the Rockefeller Foundation sculpture, the Southern Poverty Law Center "Civil Rights Memorial," the Yale Women's Table, and Wave Field--presents her first book, an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artwork.
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