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Der unvermeidliche Musikständer: Die Staatsband von Oaxaca und die Politik des Klangs von -
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eBay-Artikelnr.:386959287981
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780803269675
- Book Title
- The Inevitable Bandstand
- ISBN
- 9780803269675
- Subject Area
- Music, History
- Publication Name
- Inevitable Bandstand : the State Band of Oaxaca and the Politics of Sound
- Publisher
- University of Nebraska Press
- Item Length
- 8.5 in
- Subject
- Latin America / Mexico, History & Criticism, Genres & Styles / Latin
- Publication Year
- 2015
- Series
- The Mexican Experience Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 23.5 Oz
- Item Width
- 5.5 in
- Number of Pages
- 232 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Nebraska Press
ISBN-10
0803269676
ISBN-13
9780803269675
eBay Product ID (ePID)
207776009
Product Key Features
Number of Pages
232 Pages
Language
English
Publication Name
Inevitable Bandstand : the State Band of Oaxaca and the Politics of Sound
Subject
Latin America / Mexico, History & Criticism, Genres & Styles / Latin
Publication Year
2015
Type
Textbook
Subject Area
Music, History
Series
The Mexican Experience Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2014-047951
TitleLeading
The
Dewey Edition
23
Reviews
"An important contribution to historical studies, complementing the existing body of work on our understanding of Oaxaca, and adding a crucial piece to the puzzle."--Mark Brill, associate professor of musicology and world music at the University of Texas at San Antonio and the author of Music of Latin America and the Caribbean , "An important contribution to historical studies, complementing an important body of work on our understanding of Oaxaca, and adding a crucial piece to the puzzle."-Mark Brill, assistant professor of musicology and world music at the University of Texas at San Antonio and the author of Music of Latin America and the Caribbean
Illustrated
Yes
Dewey Decimal
784.06/07274
Table Of Content
List of Illustrations Acknowledgments Introduction 1. Closing the Colonial Past 2. Nineteenth-Century Invasions and Influences 3. Inception, Institutionalization, and Venue 4. The BME during the Porfiriato and the Mexican Revolution 5. Mestizaje , Musical Pedagogy, and the Socialist State 6. Municipal Control to Innes's Reign 7. From Political Proselytizer to Economic Engine Conclusion: Gauging the Political Tool Appendix 1. BME Directors Appendix 2. Oaxaca Military and National Guard Units, 1846 and 1848 Appendix 3. BME Dependencies Appendix 4. Extraordinary Performances, 1966 (Partial) Notes Glossary of Song and Dance Forms Bibliography Index
Synopsis
In the hands of the state, music is a political tool. The Banda de Msica del Estado de Oaxaca (State Band of Oaxaca, BME), a civil organisation nearly as old as the modern state of Oaxaca itself, offers unique insights into the history of a modern political state. Charles V. Heath examines the BME's role as a part of popular political culture that the state of Oaxaca has deployed in an attempt to bring unity and order to its domain., In the hands of the state, music is a political tool. The Banda de Música del Estado de Oaxaca (State Band of Oaxaca, BME), a civil organization nearly as old as the modern state of Oaxaca itself, offers unique insights into the history of a modern political state. In The Inevitable Bandstand , Charles V. Heath examines the BME's role as a part of popular political culture that the state of Oaxaca has deployed in an attempt to bring unity and order to its domain. The BME has always served multiple functions: it arose from musical groups that accompanied military forces as they trained and fought; today it performs at village patron saint days and at Mexico's patriotic celebrations, propagating religions both sacred and civic; it offers education in the ways of liberal democracy to its population, once largely illiterate; and finally, it provides respite from the burdens of life by performing at strictly diversionary functions such as serenades and Sunday matinees. In each of these government-sanctioned roles, the BME serves to unify, educate, and entertain the diverse and fragmented elements within the state of Oaxaca, thereby mirroring the historical trajectory of the state of Oaxaca and the nation of Mexico from the pre-Hispanic and Spanish colonial eras to the nascent Mexican republic, from a militarized and fractured young nation to a consolidated postrevolutionary socialist state, and from a predominantly Catholic entity to an ostensibly secular one., In the hands of the state, music is a political tool. The Banda de M sica del Estado de Oaxaca (State Band of Oaxaca, BME), a civil organization nearly as old as the modern state of Oaxaca itself, offers unique insights into the history of a modern political state. In The Inevitable Bandstand, Charles V. Heath examines the BME's role as a part of popular political culture that the state of Oaxaca has deployed in an attempt to bring unity and order to its domain. The BME has always served multiple functions: it arose from musical groups that accompanied military forces as they trained and fought; today it performs at village patron saint days and at Mexico's patriotic celebrations, propagating religions both sacred and civic; it offers education in the ways of liberal democracy to its population, once largely illiterate; and finally, it provides respite from the burdens of life by performing at strictly diversionary functions such as serenades and Sunday matinees. In each of these government-sanctioned roles, the BME serves to unify, educate, and entertain the diverse and fragmented elements within the state of Oaxaca, thereby mirroring the historical trajectory of the state of Oaxaca and the nation of Mexico from the pre-Hispanic and Spanish colonial eras to the nascent Mexican republic, from a militarized and fractured young nation to a consolidated postrevolutionary socialist state, and from a predominantly Catholic entity to an ostensibly secular one. Charles V. Heath is an associate professor of history at Sam Houston State University.
LC Classification Number
ML1315.7.O28H43 2015
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